Tabrett Bethell Quotes
Quotes to Explore
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The oldest books are only just out to those who have not read them.
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I don't have a type. I don't have a specific kind of human being. It's just kind of an X-factor of sorts. Everybody I've ever dated has been a case-by-case situation.
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There are just so many young designers now.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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Whatever happens in life is fine - just trust in that.
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I just couldn't live without dogs.
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You don't despair about something like the Middle East, you just do the best you can.
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I don't have anyone's number; I just Facebook them.
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Well, I didn't really have a plan. I just wanted a hit.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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For me, graffiti means making marks on surfaces using just about anything, be it markers, spray, paint, chalk, lipstick, varnish, ink. Or it can be the result of scratches and incisions. The aim is to maintain the energy created by disturbance or excitement in the street.
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It's all about connectivity - not just technical connectivity but geographic connectivity. That's what makes a city go.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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I'm not making films just to be bold.
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I have to grow with my audience.
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I guess I was just meant to be a secretary who doesn't take shorthand. I'm a lousy typist, too - 33 words a minute.
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The film depends on the audience's belief in this relationship.
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Just to eat is a gift.
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I'm committed to the show as long as I feel that we're moving forward. And I'm committed to the show as long as an audience will allow me to do it. I think they'll be very clear in the end, as will you all, when (the show) is no longer effective.
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I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
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I'd rather have 100,000 people who really get what I'm doing and like it for what it is than a million who can take it or leave it.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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My ultimate aim would be to captivate an audience, even just for a second.
