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Now that we all live in a bad '70s sci-fi movie, I am made to understand the tyranny of the machines every minute of every day.
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They [my stories] evolve. If they're tightly constructed, it's because they're revised constantly as I move forward each day. That's where the structure inheres. It's all organic.
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I hope to stay light on my feet, to work in many modes, to seek inspiration always, and avoid the fatal. But, as we all know, it is the price of life to burn out, both metaphorically and literally.
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I think the best endings bring you back in rather than close things off with absolute finality. I'm not saying they necessarily have to be ambiguous, but we don't always need to know what happens when everyone wakes up tomorrow morning.
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Work saved me. Literature saved me. It sounds corny but it's absolutely true. I was going in the wrong direction, but after the 9,000th night at the bar doing dope with a bunch of Dead Heads, I began to think there was something more.
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I'm not looking ahead joyfully to the rest of my life or the future of the human race. I've always written about man as an animal species among other animals, competing for limited resources. Our population is exploding. Our environment is dying. Science has debunked God.
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I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
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I do not want to repeat myself. I want to reach for something I've never attained. This is the excitement of art.
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Art saved me. It may sound corny, but it's true.
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Music is, by far, the best art. Nothing even comes close. It's so immediate and emotional. In writing, maybe ninety percent of it is the unconscious and ten percent is control. In music, I think it's probably more like ninety-nine percent the unconscious. It's just a beautiful thing happening through you. And so, too, is writing a great story.
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I am mad for nature writing. I want to get inside the head of every creature in the world, even ants.
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One of the reasons I've been able to be productive is that I want to do everything.
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If you focus on literature through only one small element of it, like the more scientific element of linguistics, then where is the joy that brought us literature in the first place, which is to have a story?
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I think it's a great thing to hear the author reading. I've listened to CDs of Cheever and Updike reading their stories and Hemingway. To hear what their voices were like is amazing. Whether they're reading well or not, it's great to listen to the intonation and the beat of the guy who wrote the story.
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Sometimes if something is entertaining and amusing, people tend to think that it doesn't have the depth of something that's dramatic. I don't think that's true.
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Alcohol had a lot to do with it, too, and mental instability. All writers are narcissistic, manic-depressive drug addicts and alcoholics, and I am no exception.
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There's a kind of mystery to our being and from my point of view, regarding my own parents and their parents, I'd as soon let it lie than find out who my mother's father was.
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I think if you read all my books you know where I stand, pretty much. You could probably give the reader a questionnaire and they could figure out what I'm about. But I don't think my job is to tell you that.
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I've always been a huge fan of theatre and performance. The idea of just the human voice and just this night. Live music is the same. They're doing it for you right now. It's an amazing thing. And if you perform a story properly, it can be a transporting, too.
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I've never really been met with indifference, where they say, 'Who cares?' I think that's what good art is supposed to do. It's not supposed to make you feel good about your own prejudices and your own values; it's supposed to open you up in some way and get you outraged or make you happy or make you sad or whatever it's going to do.
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The smell of the ocean was stronger now, rank and enveloping, as if the bottom of the sea had turned over and littered the shore with its dead.
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Basically for me a story can be anything. Anything you tell me, anything I read in the newspaper, in any mode. I don't have any restrictions.
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The very genetic determinism I posited in World's End as a way of shaking off my inherited demons is being proven in fact as we map out the human genome.
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You're not getting the joy out of literature that it gave you. This is the danger of what we do. Look at Hemingway and so many others. You devote your life to one thing, that is what you are. It's artificial but it's all you have. If you lose it, then you're nothing and there's no point in going on.