T. C. Boyle Quotes
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The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident.
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I've never really been met with indifference, where they say, 'Who cares?' I think that's what good art is supposed to do. It's not supposed to make you feel good about your own prejudices and your own values; it's supposed to open you up in some way and get you outraged or make you happy or make you sad or whatever it's going to do.
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You're not getting the joy out of literature that it gave you. This is the danger of what we do. Look at Hemingway and so many others. You devote your life to one thing, that is what you are. It's artificial but it's all you have. If you lose it, then you're nothing and there's no point in going on.
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The reason we love nature is because it's fascinating and we love all the creatures, but if you watch any nature film, there's always a lesson: "the creatures are all dying and life sucks." The same is true of literature.
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The smell of the ocean was stronger now, rank and enveloping, as if the bottom of the sea had turned over and littered the shore with its dead.
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I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
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I love satire. Evelyn Waugh is one of my favorite writers of all time. He's hilarious. He's so wicked. He's so great. On the other hand, pure satire is an imitation. It doesn't really have any heart. It only holds things up to ridicule.
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From my point of view, why shouldn't I work in every possible mode, to see if it's viable? "Los Gigantes" would not have worked as a straightforward, naturalistic tale. Part of the fun of it is that it's so preposterous and yet at the same time, it could have happened. Think of eugenics. Hitler certainly would have been doing it if he could have.
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If you're not working, you might as well be dead.
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There are always surprises. Life may be inveterately grim and the surprises disproportionately unpleasant, but it would be hardly worth living if there were no exceptions, no sunny days, no acts of random kindness.
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Criticism can be wonderful, especially in making connections in an interpretive way. But by applying theories randomly, it's an interesting exercise, but I don't think it illuminates the literature.
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I like to joke that you usually write more books before death than after death, so that's why I'm doing it. But really, I remain engaged with ideas. There are so many things happening that turn me on and I just want to examine them.
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Work ethic and this determination is all part of escaping the depressive side. Of course I'm manic depressive, maybe not to the degree that Exley was, but I think all writers are. There are highs and lows. Look at David Foster Wallace.
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At best, I consider flying an unavoidable necessity, a time to resurrect forgotten prayers and contemplate the end of all joy in a twisted howling heap of machinery; at worst, I rank it right up there with psychotic episodes and torture at the hands of malevolent strangers.
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I've been in perfect health and perfectly happy all my life. I don't take any pills; I just get up, clean up after my wife, and start typing every day.
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The beauty of American law is you cannot slander anybody who is dead. This is not true in all countries.
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I always dread the process of writing because I'm not a writer. I'm an audible guy, I'm a verbal guy. I love to talk. I write a book every couple years, but it just takes everything out of me to get a book out.
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Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance.
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The professorial dictum has always been to write what you know, but I say write what you don't know and find something out. And it works.
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I'm extremely worried. I'm worried about the survival of our species, worried about what we're doing, worried about being Americans, worried about depletion of resources. On the other hand, we are trying. We are trying to understand our impact on the environment.
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A glad zest and hopefulness might be inspired even in the most jaded and ennui-cursed, were there in our homes such simple, truthful natures as that of my heroine, and it is in the sphere of quiet homes-not elsewhere-I believe that a woman can best rule and save the world.
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What I'm doing is exploring things. This is why I'm a fiction writer rather than an essayist or a politician or whatever. I just gather material and find a scenario, and see where it takes me. I don't have a plan.
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But then, that's the beauty of writing stories-each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there's no feeling like it.
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Especially students. I love to turn them on to a story. Some of them have to go see me as an assignment, like kids from the schools in New York will go to the Y. I want them to know why I love this and why they should too.