George Rickey Quotes
Quotes to Explore
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I cook British food, but it doesn't mean I'm jingoistic about it. People can cook very good fusion food.
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I think talent makes me really attracted to someone more than anything.
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I'm no producer's kid.
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I don't know what I'm meant to do. I'm not important, am I? I'm not doing anything that makes a difference.
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One of the ideas that was developed at MIT in a workshop was, imagine this pipe, and you've got valves, solenoid valves, taps, opening and closing. You create like a water curtain with pixels made of water. If those pixels fall, you can write on it: you can show patterns, images, text.
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There's some people that obviously abuse social networking or whatever, but I think it's a fantastic idea. I've never had any bad encounters with any of it.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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It's the way you ride the trail that counts.
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I think that a man should not live beyond the age when he begins to deteriorate, when the flame that lighted the brightest moment of his life has weakened.
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You can't just lecture the poor that they shouldn't riot or go to extremes. You have to make the means of legal redress available.
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I love working with women.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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The hard work definitely paid off and hard work always does.
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I've always wanted to be a professional golfer and I'm glad that came true.
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Drama was all I ever wanted to do. There was no plan B!
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I like sleeping a lot.
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I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
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As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
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I like to be someone else. I like to be someone other than myself. I grew up watching movies and being a fan of what I'd seen portrayed in the movies, and I always wanted to do that one day.
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'You don't pay prostitutes to come to your house; you pay them to leave.'
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The plight of the actor, even if he's a star, is the plight of the women's movement. They're saying the same thing to us: get into bed, give me a good time, then give me something to eat, go get the laundry, be a good girl.
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I'm convinced that, in the end, art is not for the artist but for their fellow man.
