George V. Higgins Quotes
Quotes to Explore
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I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze the sounds and interpretation you asked for from 50 to 80 people.
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I imagine that yes is the only living thing.
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One thing that we decided very early in the relationship is that when he goes, we all go - the whole family.
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When I see a movie with someone it's kind of uncomfortable.
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All over London as one walks, one everywhere, in the season, sees oranges to sell; and they are in general sold tolerably cheap, one and even sometimes two for a halfpenny; or, in our money, threepence.
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The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
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The best situation is being a single parent. The best part about is that you get time off, too, because the kids are with their mom, so it's the best of both worlds. There's a lot to be said for it.
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When you're looking through a magazine, you'd think every single person's a different person, but every third girl is actually the same girl in a different outfit and makeup.
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My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.
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I've laid my friends bare.
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The great lesson my mother and father gave me was almost invisible. It was a strong sense of being rooted.
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What the customer demands is last year's model, cheaper. To find out what the customer needs you have to understand what the customer is doing as well as he understands it. Then you build what he needs and you educate him to the fact that he needs it.
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I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
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Today's children are taught by our culture that we are a cosmic accident. Something slithered out of the primal slime and over billions of years evolved into a human being. We are cousins, ten times removed, to the ape at the zoo eating his own excrement.
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I've got a serious-looking head.
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It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
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Every experiment, by multitudes or by individuals, that has a sensual and selfish aim, will fail.
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Pacifists are like sheep who believe that wolves are vegetarians.
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Unless young blacks are brought into the mainstream of economic life, they will continue to be on the curbstone.
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We are living in a very pivotal time. The time that we inherit from science is a time to humble you, to dwarf you. It tells you that the sun will not fluxuate for another billion years, that species come and go, and, in other words, on a temporal scale you don't matter. And that now doesn't matter. But when you look at the release of energy, the asymptotic speeding up of processes, we tend to be xenophobically oriented toward the human.
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If you're keeping yourself in the bubble and only looking at your own data or only watching the TV that fits your agenda then it gets boring.
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When I'm writing, it's the weirdest thing: it's not even a conscious process. I'm not even thinking when I write, and then all of a sudden, I'll have a song that makes me feel so much better than I did before.
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Women don't seem to think it's good enough; They write about it.
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You cannot write well without data.
