David W. Marsden Quotes
Quotes to Explore
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I'm just in love with Burberry. Always have been, always will be.
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My perspective was always being on a number one show doesn't mean anything if I'm not still working consistently at 40 to 50 and 60 years old.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I always separated sports and my personal life.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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I was always very focused on how people dressed.
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It was always fun to skate with Paul Wylie and Paul Martini.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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I've experienced many hardships, but mentally, I've always been older, and that reflects in my actions, too.
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I'm always the underdog, and I go in there and win the fights.
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I have observed that society in general always seems to honor its living conformists and its dead troublemakers.
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Costume people are always saying they don't have clothes big enough for me.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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I always wanted to find oil. It was always an irresistible calling.
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I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.
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The biggest barriers to strategic renewal are almost always top management's unexamined beliefs.
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Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.
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I don't see the point in working just to be working.
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There's no point considering something which is very unrealistic.
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I've always gone for the more understated look.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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The gentleman puts me in mind of an old hen which persists in setting after her eggs are taken away.
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You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.
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Being on the air is and probably always will be the highest point for me.
