Abe Lemons Quotes
Quotes to Explore
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I have never believed in comparisons, whether they are about different eras, players or coaches.
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People think that their world will get smaller as they get older. My experience is just the opposite. Your senses become more acute. You start to blossom.
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My curiosity sustains me for the period of the shoot.
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Nobody's going to sell 10 million records by not working hard.
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The desire for freedom and equilibrium (harmony) is inherent in man (due to the universal in him).
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In case you haven’t noticed, we are now almost as feared and hated all over the world as the Nazis were.
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M&S clothes just get better and better, year after year. I'm always begging for stuff from every shoot we do.
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You'll shoot the moon... put out the sun... when you love someone.
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It will allow me to focus on things where I can help the football team. It's tough when you're in meetings and the coaches are waiting on you. I can already see that we're farther down the road on some things by doing what we're doing.
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It always amazes me that spectators want to coach, coaches want to officiate, and officials just want to watch the game
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I feel that God wants me to coach; otherwise, he wouldn't have put the desire in me.
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My first assistant-coaching job in football was at William & Mary in 1961. The pay wasn't much, so to get $300 more per year, I agreed to coach the golf team. I didn't even know how to keep score, and really, my main job was not to wreck the van on the way to tournaments.
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A lifetime contract for a coach means if you're ahead in the third quarter and moving the ball, they can't fire you.
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I don't want to live and die with every point that's being played out there now. I'm going to let my coach live and die with every point.
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I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.
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Scott will be desperate to beat us. He's one of the most talented coaches in world rugby and has done excellent work with Wales.
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I wasn't used to sitting on the bench. I shouldn't have done it, but I did kind of start to lay back and not work as hard. It's taking a toll on me right now, but I feel I'm starting to gain the confidence of the coaches.
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I get to the point where I feel relaxed, and then I just shoot a ton of material and make a lot of different choices.
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The turnover of fashion is just so quick and so throwaway, and I think that is a big part of the problem. There is no longevity.
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When you're having a conversation with someone who, despite his brilliant medical career, says he's going to produce the film, you think, "How's he gonna do this? Is he insane, or is he really going to pull this off? It might be both." It's really amazing to see someone do what he's done.
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I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.
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I'm usually taking my charges on somebody driving to the basket out of control and their momentum is coming toward me. Whereas the Big Guy is just taking one step back and guys are falling. He doesn't really even have enough momentum to charge those guys.
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Coaches who shoot par in the summer are the guys I want on my schedule in the winter.
