Ian "Lemmy" Kilmister Quotes
When George Harrison died the guards at Buckingham Palace played a medley of George's songs during the changing of the guard; that sort of thing never happens.
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I tend to name albums after one of the songs.
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I think there is a degree of speculation that is satisfied the climate is changing.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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Every battalion has its marching songs.
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I don't have many easy songs.
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Barack Obama has talked a lot about changing the way America relates to the world, and few areas are as ripe for reform as our policies on foreign aid.
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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It's so different when you change your hair color, you're treated so differently. It's a very funny experience. It's fun - I love changing up my hair.
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My pump-up songs before I compete are not the usual. They're more girly songs. I love 'The Climb' by Miley Cyrus. It's about the journey and savoring every moment. I have 'The World's Greatest' by R. Kelly on my playlist, too.
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All the time I'm changing as an artist and as a person.
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We have always adapted ourselves to the songs instead of vice versa.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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I am trying to re-shape and improve my central position.
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Nobody is more dangerous than he who imagines himself pure in heart; for his purity, by definition, is unassailable.
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I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
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When George Harrison died the guards at Buckingham Palace played a medley of George's songs during the changing of the guard; that sort of thing never happens.
