Patricia Marx Quotes
Quotes to Explore
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Well, I think a lot of people just want to be famous.
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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I actually think I have an audience member's sensibility about going to the movies.
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I really tend to write in retrospect.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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I like to think I'm a role model for women. But I also don't like to just limit it to women. I like to think I'm a role model for human beings in general.
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I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
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I was convinced in middle school that I invented tight-rolling your pants, because I would get hand-me-downs from my brothers, and of course they were bell-bottoms from the '70s. So I would fold and fold over the bells. I like to think I started the trend. But I didn't.
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I think because Sport Lux has come in and leisure wear is a new thing, girls can sneak in hoodies and leggings and so on where they wouldn't normally - it has been proper legitimate fashion.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
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I don't think I'm going to become Brad Pitt overnight, but I presume if walk down Oxford Street, there is a chance someone might clock me.
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I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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I always think the insecurity is going to go away, but it's always there. Only bad writers think they're good.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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I'd like to think you don't stop being creative once you get happy.
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However, all gifts seem now to be absorbed in one and a man must be either a Preacher or nothing.
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I think the problem I have with films is that, because there's so much hype around them, they become bigger than they should be, really. There are things that people do every day in their little workshops that they'll take to heaven with them. You've got to realise that it's not everything, making films.
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What Enron was doing, what caused investors to embrace it in a rapture of baffled awe, was hiding debt.
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You just got to be #patient, be focused, you know there are lots of distractions out there.
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I write the shopping column. I think I've proven my superficiality.
