Debra Dean Quotes
The trajectory of my writing has moved further and further away from autobiography. My first stories in Confessions of a Falling Woman worked familiar territory - places I had lived, people I knew, my life as an actor in New York - and many were prompted by or grounded in personal experience.
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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Understanding where to be in your own zone really takes some time and development to learn.
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No one can be a yogi, maintaining a state of mental equilibrium, free from inner involvement in planned desireful activities, unless he has renounced identification with his ego and its unsatisfiable lust for the fruits of actions.
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When playing music, it is possible to achieve a unique sense of peace.
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If news of his impending doom bothered Jackson, he did not show it. He sent no urgent dispatches to Richmond; he asked no counsel of any of his officers. He wrote no dramatic letters home, as Banks had, bidding a sentimental farewell to his wife as his own death loomed. Jackson seemed, in fact, at the center of this building storm, to be completely calm.
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From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
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When you have a clear vision of your goal, it's easier to take the first step toward it.
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There is no happiness. There is only concentration.
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In business, I loved cars. I couldn't wait to get to work in the morning. Only in America can you decide to get a good education and pursue what you like.
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I am very proud of this work because it is more about the meaning of the Easter Rising and its relationship to what this whole century has been about, people liberating themselves, freeing themselves.
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It is the music which makes it what it is; it is the music which changes the place from the rear room of a saloon in back of the yards to a fairy place, a wonderland, a little comer of the high mansions of the sky.
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It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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Some professional writers write everyday no matter what and perhaps that's the way it should be done, but it's not the way I do it. If I'm not pregnant with words and I'm not in labor with them, I don't even try to bring them forth because they won't be any good anyway. Once I'm ready to deliver, it's like being pregnant. I've got to find a typewriter or a piece of paper. The only words that have ever had any possible value to others seem to have been those words that just had to come out.
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Every judgement blocks the light!
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I've never tried to work chronologically. I don't think I have the discipline to do that.
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Perhaps the greatest and least visible form of impoverishment caused by the Corporate State is the destruction of community.
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Sometimes actors come in, you record them, and they do their role.
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Animals give me more pleasure through the viewfinder of a camera than they ever did in the crosshairs of a gunsight. And after I've finished "shooting," my unharmed victims are still around for others to enjoy. I have developed a deep respect for animals. I consider them fellow living creatures with certain rights that should not be violated any more than those of humans.
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Nobody's in love with me. I'm so sorry.
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The trajectory of my writing has moved further and further away from autobiography. My first stories in Confessions of a Falling Woman worked familiar territory - places I had lived, people I knew, my life as an actor in New York - and many were prompted by or grounded in personal experience.
