D. B. Weiss Quotes
Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
Quotes to Explore
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Scandinavia was awash with Maoism in the '70s. Sweden had Maoist groups with a combined membership and periphery of several thousand members, but it was Norway where Maoism became a genuine popular force and hegemonic in the culture.
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I use my platform as a tool and a way to speak about greater change.
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If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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Disney's something to be a little alarmed about. It's not just a little theme park anymore. It's now an ethic and outlook and strategy that goes way beyond central Florida.
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Any trend that is developed too fast and is disposed right away is not going to have a lasting impression on the culture, you know?
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For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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I think there's a culture in Rajasthan Royals that has been there before I got here, so I've come into it. I've enjoyed being part of it and embraced it. They are quite clear about the fact that bottom lines are important, and there is a certain limit on what you can spend.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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Every individual has his own style, his own way of presenting himself on and off the field.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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In American culture we are supposed to take a pill when we're depressed or in grief as opposed to actually feeling.
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There is a way to share an insight into your personal life without being classless, which is what I'm trying to do.
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Without sounding negative, I'm not a huge fan of a lot of stand-up. I'm more interested in an absurd kind of theater.
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Religion is the supreme art of humanity.
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The reality is gas prices should be much more expensive then they are because we're not incorporating the true damage to the environment and the hidden costs of mining oil and transporting it to the U.S. Whenever you have an unpriced externality, you have a bit of a market failure, to the degree that eternality remains unpriced.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
