Barbara Hepworth Quotes
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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I definitely feel more comfortable in my own skin since turning 40.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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Our present moment is a mystery that we are part of. Here and now is where all the wonder of life lies hidden. And make no mistake about it, to strive to live completely in the present is to strive for what already is the case.
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I have my own studio down in Miami.
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Don't take yourself too seriously. Know when to laugh at yourself, and find a way to laugh at obstacles that inevitably present themselves.
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Peace is its own reward.
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There's a physicality and confidence to Americans; they're very present. That's something I enjoy being around because it rubs off on you.
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I tend to resist invitations to interpret my own fiction.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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The ability to be in the present moment is a major component of mental wellness.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We are a people trying not only to solve the problems of the present: unemployment, inflation... but we are attempting on a larger scale to fulfill the promise of America.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.
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I must be careful not to get trapped in the past. That's why I tend to forget my songs.
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I never saw a consistent through-line of employment for black actresses. I was like, 'How are they supporting themselves?'
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I love to listen to Howard Stern with the guy who drives me.
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I might like to believe that every day, every hour, every minute of every hour of every day with Henry was *not* the happiest time I ever knew. I might like to believe that I am remembering it that way only because the happiest time ever makes it a better story. Because that's all you have left after people are gone from you, some things and some stories.
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What we eventually run up against are the forces of humourlessness, and let me assure you that the humourless as a bunch don't just not know what's funny, they don't know what's serious. They have no common sense, either, and shouldn't be trusted with anything.
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My works are an imitation of my own past and present.
