Barbara Hepworth Quotes
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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I definitely feel more comfortable in my own skin since turning 40.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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Our present moment is a mystery that we are part of. Here and now is where all the wonder of life lies hidden. And make no mistake about it, to strive to live completely in the present is to strive for what already is the case.
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I have my own studio down in Miami.
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Don't take yourself too seriously. Know when to laugh at yourself, and find a way to laugh at obstacles that inevitably present themselves.
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Peace is its own reward.
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There's a physicality and confidence to Americans; they're very present. That's something I enjoy being around because it rubs off on you.
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I tend to resist invitations to interpret my own fiction.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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The ability to be in the present moment is a major component of mental wellness.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We are a people trying not only to solve the problems of the present: unemployment, inflation... but we are attempting on a larger scale to fulfill the promise of America.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.
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What seems to me to be driving our whole civilization toward the abyss at present is a one-sided conception of liberty, a conception that is purely centrifugal, that would get rid of all outer control and then evade or deny openly the need of achieving inner control.
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Frantic administration of panaceas to the world is certainly discouraged by the reflection that 'this present' might be 'the world's last night'; sober work for the future, within the limits of ordinary morality and prudence, is not.
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Today's case demonstrates that the corrupt practices first laid bare in the Marsh suit are present in additional sectors of the industry, ... Secret payoffs and conflicts of interest that infected the market for property and casualty insurance have taken root in the employee benefits market as well.
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All thought is created, therefore we are all creators of whatever world we live in.
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If I'm going to take my clothes off I figured I might as well do it for something that I'm directing myself since I had complete control of the edit.
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My works are an imitation of my own past and present.
