Barbara Hepworth Quotes
One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
Quotes to Explore
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In general, I find that for videos the acting is more realistic.
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So basically, I think music at its best can be everything. It can be totally stupid and very intellectual and emotional at the same time. I don't think all those things shut each other out.
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I don't prepare for anything very well. I am not a good actor. I don't read scripts.
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Great advice comes from people that have been around a lot longer than you.
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I have what is probably the largest big bike collection in the city: a Fat Boy, a sportser Harley Davidson and two Yamahas. All these are 1200cc-plus bikes. Riding these bikes is something I still do and some trekking as well.
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My experience in Iraq made me realize, and during the recovery, that I could have died. And I just had to do more with my life.
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Whether it's backing up or starting, I have the confidence to go out there and do good, so I'm gonna play my role.
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It is difficult. You've got a lot of things outside the field. But you need to learn and understand things you can do.
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It's totally viable to envisage a million Jews living in Judea and Samaria.
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We're more familiar with what economists call an English auction - prices start low and rise as people bid. However, there is also the Dutch auction, where prices start high and go lower until somebody bites. Movies are sold to the audience via a very slow Dutch auction, where each phase between price drops can last weeks or months.
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Things happening around the world are affecting you and me.
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To return after long years of painful absence to some place which has been the scene of our former joys, and whence the force of circumstance, and not choice, has driven us, is oppressive to the heart.
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I was in Kenya when I read 'Catch-22,' and I associate this book that has nothing to do with Kenya - whenever I think of 'Catch-22,' I think of Nairobi.
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I can relate to pushing yourself because you want to help and move culture toward justice.
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I'm never happy with what I've written. You imagine, before you start, there's a cathedral, and the moment it starts on the page, it's a garden shed. And then you just try to make it the best shed you can.
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It is my responsibility that I must make demonstrative efforts to reach out to every citizen of the country.
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Palestinian people are in love with life.
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I'm a little weird that way. I don't really know how to express my happiness.
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I don't like the idea of busing children all over the country. It's not safe. And there doesn't seem to be that much of an urgent need for it to be done.
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When you decide to do this kind of music then you just accept the facts.
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There are times when I am convinced I am unfit for any human relationship.
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I want to know how God created this world. I'm not interested in this or that phenomenon, in the spectrum of this or that element. I want to know His thoughts, the rest are details.
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The title of Ultracrepidarian critics has been given to those persons who find fault with small and insignificant details.
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One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
