Gertrude Atherton Quotes
There is no greater fraud or bore than the writer who has acquired the art of saying nothing brilliantly.

Quotes to Explore
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I put my friends and family first. I'm really just a normal thirteen-year-old girl who has a different hobby than most girls my age. Acting is kind of an extracurricular activity.
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When hypocrisy is a character trait, it also affects one's thinking, because it consists in the negation of all the aspects of reality that one finds disagreeable, irrational or repugnant.
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I think I weighed about 450/460 at my heaviest. That's huge! That's Fat Joe. And you know, I always took pride in being fat.
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When you leave New York, you are astonished at how clean the rest of the world is. Clean is not enough.
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Any partying I did, I did at home. I didn't want to be in the spotlight... There's an easy way to get away from the paparazzi; they're not that difficult to hide from and you don't need to go out for coffee every five minutes.
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Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.
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I don't do office work at home.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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I try to play my game and that's being emotional because I'm that kind of guy.
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I love 'Homeland.' I think it's such a well-done, well-acted TV show.
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I surrender to my directors. I do that because I respect them immensely. In fact, a director's talent scares me. I admit that they're more intelligent than me, and I submit to that, as an assistant director does. Even when I have suggestions to make, I don't state them strongly.
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The nurses were all angels in my eyes.
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New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
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Charan is very hard-working and non-egoistic, given the family he comes from. He is very open to listening, and he surrenders himself completely to the director. It was lovely to work with an actor like that.
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Every fool knoweth that hatreds are the cinders of affection.
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She had a very agreeable smile; it did not light up her face suddenly, but seemed rather to suffuse it by degrees with charm. It hesitated for a moment about her lips and then slowly travelled to those great shining eyes of hers and there softly lingered.
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We study the glory of God, and the honour and liberty of parliament, for which we unanimously fight, without seeking our own interests... I profess I could never satisfy myself on the justness of this war, but from the authority of the parliament to maintain itself in its rights; and in this cause I hope to prove myself an honest man and single-hearted.
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Th' only way t' entertain some folks is t' listen t' 'em.
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He [Patrick Stump] is been a friend of ours for a long time, and when we were talking about working with different producers and songwriters for the record, Patrick's name came up. We were excited to work with him - he's a very gifted lyricist and songwriter, and a really cool guy and it was a pleasure to work with him in the studio.
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Some persons never attain to the happy art of perspicuous expression, and it is equally true that some persons, thro' a mental defect of their own, will judge the most correct and certain language of others to be indefinite and ambiguous.
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..one must agree with Rilke when he says that with 'nothing can one touch a work of art so little as with critical words..' .It was Marcel Duchamps who was critical, when he drew a moustache on the 'Mona Lisa'. And so was Mondrian when he dreamed of the dissolution of painting, sculpture, and architecture into a transcendent ensemble.
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Absence does not make the heart grow fonder, but it sure heats up the blood.
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There is no greater fraud or bore than the writer who has acquired the art of saying nothing brilliantly.