Ian Hill Quotes
I have a little daughter and my first boy is 19; he’s playing in a band of his own. But I missed a lot of his childhood in the '80s. It was album, tour, album, tour, then I’d be off again. "My lad is playing in a little group at the moment and they’re playing the stuff I used to play, the Cream stuff, the Hendrix stuff and old blues numbers!
Quotes to Explore
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We did a remake of Lost in Space. Filmed it in London for four months.
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
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There is no force so democratic as the force of an ideal.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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We have to take care of ourselves if we are going to take care of anyone else properly.
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Our lives are in God's hands. We have no control. We can't control Him by using the Bible or cross as a good luck charm without a thorough reformation of heart and life.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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I have a strong affinity for animals.
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If you make a wrong move with explosives, it could be deadly. If you're there when they blow up the beach, you get blown up, too. So you need to get your job done correctly... then pull the fuse with enough lag time for you to clear the area completely and get picked up by the small boats.
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As an actor, you're sort of the court-appointed lawyer for the character.
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I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.
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Authenticity is very important - be true to one's self.
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If your mind is still, you're the happiest.
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The Australian way of affirmative action is setting goals and recognising discrimination and lack of opportunity and deciding to take action and setting some goals and targets. I guess I prefer that language to talking about quotas.
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Everything I do is a reflection of the duality within me. Musically, I really love things that are very synthetic and unnatural. And I also like the organic and human... the intrinsic, I guess.
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If you're a governor of a big state, people sense your presence a little bit, even your fellow governors.
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I have a very balanced posture about the political situation in my country.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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I was 19 when I wrote 'Dreams,' and that would have been when it started to happen. The band got signed, and I was probably beginning to see different things besides my small town of Ballybricken.
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I loved being in the studio, writing songs and playing instruments, so it was like ‘There must be other ways to make a living in music.’”
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I have a little daughter and my first boy is 19; he’s playing in a band of his own. But I missed a lot of his childhood in the '80s. It was album, tour, album, tour, then I’d be off again. "My lad is playing in a little group at the moment and they’re playing the stuff I used to play, the Cream stuff, the Hendrix stuff and old blues numbers!
