Patricia Riggen Quotes
I love the Kathryn Bigelow example: she didn't just do war movies - she did them better than other directors.
Quotes to Explore
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Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.
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I've traveled all the way around the world; I've been to over 95 countries, so I love ethnic food, different types of cuisine.
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I think I felt compelled in a way because if I hadn't written the part, I never would have been offered the part. There are at least 10 guys who would have been offered the part before me.
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The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
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If you date one woman a year, times 10 years, and that's 10 women.
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Obstacles are like wild animals. They are cowards but they will bluff you if they can. If they see you are afraid of them... they are liable to spring upon you; but if you look them squarely in the eye, they will slink out of sight.
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I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
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In writing about Harold and Maureen with their terrible unspoken secret, and all those people that Harold meets as he walks to save a friend's life, I was trying to celebrate the ordinary people.
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I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.
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When I was a kid, I had two great guilty pleasures. One was horror movies and the other was martial arts movies.
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I redefined how I ate and exercised and have continued to keep that up because it feels great.
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There's no such thing as a non-final cut director.
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I believe in only one thing: liberty; but I do not believe in liberty enough to want to force it upon anyone.
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Moral authority is never retained by any attempt to hold on to it. It comes without seeking and is retained without effort.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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If I can hit the ball the way I want to hit it on the range, I'd rather do that than play golf. I just love the feeling of hitting good golf shots.
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'Snowpiercer' is a little bit more experimental, I think, and crafted for a slightly different audience. 'The Giver' is more about teen angst.
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The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning. (p. 30)
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No man will ever be President of the United States who spells 'negro' with two gs.
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It's about sharing. You just give what you have to give wherever you go, and you let God handle the rest.
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I love the Kathryn Bigelow example: she didn't just do war movies - she did them better than other directors.
