Keith Pelley Quotes
Nothing is ever 100 per cent. Plays happen in a split second. (Referees) have to make that decision in a nanosecond. Now that you have a chance to take a look at it again, I think it enhances the integrity of the game.
Quotes to Explore
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Art is too serious to be taken seriously.
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I'm working on a movie called 'Labor Day' with Kate Winslet while still balancing kite boarding. Being an actress and an athlete is a challenge, but I'm excited to see what happens.
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Moderate people are able to be moderate and have free speech only because there are some people on the fringe.
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In his enigmatic and cunning story 'The Crown of Feathers,' Isaac Bashevis Singer refuses to produce uncontradictory evidence of God's will but rather mixes all signals, jams the evidence, stalls every conclusion.
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Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
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In Africa through the 1990s, with notable exceptions in Senegal and Uganda, nearly all the ruling powers denied they had a problem with AIDS.
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I'm a lyric soprano. I can try to step outside that and do different kind of singing, but it's not something I can sustain over the long haul, and what is good for your voice is good for your career.
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I was about 13 or 14 when I heard Malcolm X's speech 'Message to the Grass Roots.'
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If you're an independent voter, I'm willing to bet that you were not too happy at the prospect of hitting the polls on November 8, 2016. But let me guess – you did it anyway because after all, it's your civic duty, right?
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It is our duty, to ourselves and to our children, to see the new world as it is now.
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You always have to think in a new modern way, and you always have to push yourself in fashion because it's a big treadmill. You can't really get off it. You just have to move a little faster.
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Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure ores have been fused, or it is a full turbid river drawn from numerous feeders, which had their sources in remote climes.
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As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
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These are the things of which men think, who live: of their own selves and the dwelling place of their fathers; of their neighbors; of work and service; of rule and reason and women and children; of Beauty and Death and War.
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We got guys who can score. Everybody knows guys can score.
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I'm more disturbed when people expect me to be serious.
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I'm a huge fan of Flying Lotus. I like The XX's stuff.
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If I don't die in a plane crash or something, this country has a rare opportunity to watch a great talent grow.
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I got obsessed with classical music, I got obsessed with Chopin, with playing the piano.
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I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
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I've always wanted to stay involved with young people. I never bought into the idea that entertainers owe nothing to their audience except a good performance.
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Predicting rain doesn't count. Building arks does.
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Nothing is ever 100 per cent. Plays happen in a split second. (Referees) have to make that decision in a nanosecond. Now that you have a chance to take a look at it again, I think it enhances the integrity of the game.
