B. F. Skinner Quotes
Going out of style isn't a natural process, but a manipulated change which destroys the beauty of last year's dress in order to make it worthless.
Quotes to Explore
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I found my style and how I like to do makeup from trying and failing and trying and failing again, and unfortunately, I had to do it publicly to figure it out.
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As a woman, my style defines my leadership. It's a gentler, more compassionate approach. I consult, I listen and I compromise where it's in the best interest of the citizens.
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Well I love preppy style; I like J. Crew for guys.
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I love Rihanna. I think her style just pushes a lot of boundaries. My tomboy side takes inspiration from her.
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One of the reasons we all still read Jane Austen is because her books are about universal things which still matter today - love, money, family. They haven't gone out of fashion, so it's not throwing the baby out with the bathwater to rework her in a contemporary style.
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I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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I love the fashion world. I love clothes. I love style.
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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I had really no sense of style. Everyone around me in my family had the sense of style - I learned as much as I possibly could.
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Every individual has his own style, his own way of presenting himself on and off the field.
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The church of St. Peter at Berlin, notwithstanding the total difference between them in the style of building, appears in some respects to have a great resemblance to St. Paul's in London.
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Cheney was among the best secretaries of defence the country has ever had. He was a very effective White House chief of staff. He did not make many enemies, and he had the ability to persuade people with that soft tone and very reasonable style of his. He's always been exceptionally good as the right-hand man.
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I've always been obsessed with style and glamor and if I want anyone to get anything out of my book, it's how we can all have them in our lives.
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I'd call my work 'instinctual design.' I like to find the spirit of a piece that defies time, age, and occasion. My clothes give the wearer the chance to develop their own voice within a wardrobe, and I think of them as curators of their personal style.
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Well, I happen to believe all business is female business.
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(The Eurozone) resembles a fine riverboat that was launched on a still ocean in 2000. And then the first storm that hit it, in 2008, started creating serious structural problems for it. We started leaking water. And of course, the people in the third class, as in the Titanic, start feeling the drowning effects first.
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Tim Robbins had real confidence in college. He literally stole actors from the theater department at UCLA to be in his plays. The department heads got so mad at him.
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Men admire the man who can organize their wishes and thoughts in stone and wood and steel and brass.
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Going out of style isn't a natural process, but a manipulated change which destroys the beauty of last year's dress in order to make it worthless.
