Camilo (Camilo Echeverry Correa) Quotes
Quotes to Explore
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I'm thinking of doing more theatre. It makes me very happy.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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We've got a long career ahead of us and it's going to be great. Trust me.
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It's successful, middle-class Arab men and women, professionals with seemingly happy family lives, who are prepared to go to paradise for a greater cause. That's terrifying.
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Canadians are very proud of me, of my career.
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A man can be happy with any woman, as long as he does not love her.
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Hope and optimism have defined my political career, and I continue to be hopeful and optimistic about Canada. Young people have been a great source of inspiration for me.
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I'm hoping that the administration and other thought leaders will succeed eventually in bringing the country back to the older idea that the American dream is having a career, getting a job, and getting involved in it, and doing well. That was the core of the good life.
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I spend 90 percent of my time saying no, and my accountant yells at me for it, but when I started in this business, I wanted my career to have legs.
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If I've learned anything in my career, it's that nothing worthwhile in life comes easy. That's just the way it is.
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The smart way to build a literary career is you create an identifiable product, then reliably produce that product so people know what they are going to get. That's the smart way to build a career, but not the fun way. Maybe you can think about being less successful and happier. That's an option, too.
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Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.
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I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.
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Work-family conflicts-the trade-offs of your money or your life, your job or your child-would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
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My career aspirations as an actor have always been driven foremost by the creative desire to be versatile.
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I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.
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I've been extremely lucky in my career, in terms of artists and colorists I've been able to work with, and I think 'Helheim' is a perfect example of that look playing out perfectly.
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You want to strike that happy medium: the balance of being able to find creative satisfaction in your profession, be able to afford a roof over your head, but still have the freedom to live a relatively normal life.
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The opportunity of making happy is more scarce than we imagine; the punishment of missing it is, never to meet with it again; and the use we make of it leaves us an eternal sentiment of satisfaction or repentance.
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The only tough thing is admitting to my wife how much a certain article of clothing costs.
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Thanks to evolution, our bodies have powerful ways to ward off illness and infection and enable us to live long and healthy lives. Why, then, do health costs continue to climb at unsustainable and frightening rates?
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In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than Cummings.
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There are these moments in the military where you're present at these enormous intersections of history and humanity. I came out of the end of that, and I just wanted to write. If you do it well, you know it will last. It can't get blown away like everything else.
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I feel very happy because this is the beginning of something very important for my career.
