Zara Larsson Quotes
Quotes to Explore
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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Music is art, and once you become an artist, you need to learn how to accept criticism.
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Basically, when I went to school in Sri Lanka from age five onward, the classes there were sometimes sorted into a hierarchy of your skin tone. So the fairer-skinned kids sat at the front row, and the darker-skinned kids sat at the back by the poor ones who played out in the street all day long.
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I made all my generals out of mud.
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I'm confident in who I am. I've come to a place in my life where I've accepted things that are me, as opposed to feeling pressure to explain myself to people around me. That's just the way I've always tried to be. It didn't change when I became a star.
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Everything has two sides - the outside that is ridiculous, and the inside that is solemn.
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A comic can be aesthetically beautiful. I think they captured it beautifully and accurately.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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The reason I like Portland is the idea of going to a supermarket and knowing there's no way to be recognized. L.A. is so social.
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Honestly, at times, I still get bored. 'Dancing with the Stars' kept me busy, and that's what I like. When I first started fighting, I was working two jobs, and I was still going to school at the same time while training. I'm meant to be a busy person.
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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I wanted as little formal linguistic theory as I could get by with. I wanted the basic linguistic training to do a translation of the New Testament.
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You're going to have some ups and downs, so you have to prepare yourself to be ready. Those down moments come.
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I have a very wonderfully, bizarrely amazing relationship with my mother in that we've been through a myriad of emotions because we've acted together and played all these different kinds of mother-daughters.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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Honestly, I find writing to be a very lonely job.
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I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.
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I'm not any kind of a bigot, I'm not.
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It's always hard as an actor I think to be just on the set and have the kind of confidence to be like, 'Yeah, I did that. That went perfectly. That's great.' That's more confidence than I have.
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This land, this water, this air, this planet - this is our legacy to our young.
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Our family brings a different amount of - not fame - attention.
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Our attention will focus on the institutional context of technological innovation rather than … individual inventors, for the actual course of work that leads to the conception and use of technology always involves a group that has worked for a considerable period of time on the basic idea before success is achieved.
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Everybody wants attention, more or less. I just want a lot.
