Tahar Ben Jelloun Quotes
Quotes to Explore
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My father was 40 when he had me, so he was more a grandparent than a parent.
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Some reporter called me 'the angriest gay man in the world' or some such. Well, it stuck, but I realized it was very useful.
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I'm not sure specifically but there's definitely parts of me in Rikku.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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For the first two weeks of filming, I remember bristling at some of the occurrences on the set, none of which directly involved me. Then I surrendered to the environment, to Michael's method, and became much happier, even though no one knew what to expect.
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If I had undertaken the practical direction of military operations, and anything went amiss, I feared that my conscience would torture me, as guilty of the fall of my country, as I had not been familiar with military tactics.
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I never really fit in growing up. I got made fun of a lot of the time in high school. People never liked me, and I was always the new kid.
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Every story I create, creates me. I write to create myself.
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I never let anything stop me from doing what I want to do.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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No one put pressure on me to go to the Olympics; once I'd got the qualifying mark, I just couldn't say no.
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All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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The good thing is I didn't feel like anyone was going to judge me on 'Glee.'
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I don't do a film unless it has a sword in it. And if it doesn't have a sword in it, I insist that they have one in the same room to keep me comfortable.
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I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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The cow is of the bovine ilk; one end is moo, the other milk.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Hype is the awkward and desperate attempt to convince journalists that what you've made is worth the misery of having to review it.
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We cannot make events. Our business is wisely to improve them.
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My sensibility steers me toward writers who are out on their own.
