Guy Oseary (Guy Harley Oseary) Quotes
I've got one outlet now - music - and it's great to be able to sign someone that excites me. I'd like to also be able to do that with the scripts I get or books or TV shows... I'm not going to limit myself.
Quotes to Explore
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If a man begins writing at thirty, by the time he is fifty or sixty, the bulk of his work has been done. By the time he is eighty, he's got nothing more, you know?
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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I have had an amazing career for a man who hits things for a living.
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It goes without saying that it's hard to attain a certain level of success.
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When Scorsese or Coppola cast celebrities in their work, it goes without question.
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Both villains and heroes need to have a steadfast belief in themselves.
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When James Bond gets old, you get rid of him and bring a new James Bond in.
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When you have endless time, you take all day to go to the grocery store. But, if you have to be at work for 14 hours a day, you manage your time better. I know I do.
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My role in it was not as central as it was in some of the later cases considering I was younger then and I was playing a role of co-counsel on the case.
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In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.
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I've always tried to be fair, even-handed, not an advocate for any group.
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The interpretation of our reality through patterns not our own, serves only to make us ever more unknown, ever less free, ever more solitary.
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Becoming famous and selling a lot of records doesn't change a thing.
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The 'punch' of a truly weird tale is simply some violation or transcending of fixed cosmic law - an imaginative escape from palling reality - hence, phenomena rather than persons are the logical 'heroes.'
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Whatever my father did were great films. I don't want to remake any of them.
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If we are to be good stewards of the ocean, we need to understand what lives there and how the animals interact with each other and with their environment, which means we need to be constantly seeking new and improved methods for exploration and observation.
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The biggest thing as I have gotten older is the calmness that's come over me.
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To know that someone decades later is still just as impactful as they were when they were alive, we need pioneers like that.
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I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
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I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
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I've got one outlet now - music - and it's great to be able to sign someone that excites me. I'd like to also be able to do that with the scripts I get or books or TV shows... I'm not going to limit myself.
