T. Graham Brown (Anthony Graham Brown) Quotes
Writing itself is a dream. There are days of self doubt and deadlines and wondering how you're going to pay the bills until you write that bestseller. But it's still the best job I've ever had. I've also been able to help a lot of people and even inspire a few and that feels great.
Quotes to Explore
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When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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With sitcom writing, you're trying to write stories.
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Hard writing makes easy reading.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.
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When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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Things I used to get in trouble for writing at 'SNL,' suddenly other people like it.
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I would love to continue acting. Maybe one day I would like to try writing and directing.
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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The reason is that they define how I have gone about my business. I have trusted to intuition. I did it at the beginning. I do it even now. I have no idea how things might turn out, where in my writing I might go next.
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All that time that we spend tweeting our thoughts and emotions to our next of kin, we could be writing the great American novel, starting a business, or just living.
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People ask me, 'What's your next film?' And I never know.
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Above all, words must be recognized as symbolic pointers to truth, not objective containers of truth.
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An old-timer is someone who can remember when a naughty child was taken to the woodshed instead of to a psychiatrist.
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Writing itself is a dream. There are days of self doubt and deadlines and wondering how you're going to pay the bills until you write that bestseller. But it's still the best job I've ever had. I've also been able to help a lot of people and even inspire a few and that feels great.
