Imran Amed Quotes
I've always had an affinity for the fashion industry - I've always been drawn to it. But I grew up in Calgary in Canada, which, being a fairly isolated city, is not particularly known for having anything to do with fashion.
Quotes to Explore
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He thinks that Schiller and St Paul were just two Partisan Review editors.
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I'm happy to fight anybody.
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I don't get irrational about it, but I do have a deeply-rooted competitive spirit. Not necessarily towards other people, but towards any obstacle that I set for myself.
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Let us have peace.
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When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
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When I turned 11, my dad decorated a room at the Standard hotel in Los Angeles in a '60s, Austin Powers style. There was human bowling: You run inside a giant inflatable ball and try to knock down pins. To this day, adults say it was one of the craziest parties they've ever been to.
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You want your coach's blessing.
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A lot of news is just entertainment masquerading as news.
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Laughter is healing and helpful and fun, and I see my role as an entertainer, and I want readers to leave my books smiling.
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I want to do it for myself. It's my goal and dream. All I can ask for is to get the chance and go out there and do the best I can, be as ready as I can.
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Hungary is, in a word, in a state of WAR against the Hapsburg dynasty, a war of legitimate defence, by which alone it can ever regain independence and freedom.
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You can't be a victim and heal.
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When you're making a pilot, what you're mostly thinking is, 'Please let this be a real job, please.'
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The poet speaks to all men of that other life of theirs that they have smothered and forgotten.
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Sometimes I see through things when people are talking. I'm really sensitive to other people, so I can tell if somebody's putting on a front.
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I don't have time to think about age. There are so many things to do.
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Novelists have to be adept at controlling the flow of information, and, most crucially, they have to be in charge of the narrative.
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The Yale group was doing the Harold. So by our senior year we were trying to do the Harold. Again, we had no idea what we were doing. We had one guy in the group who was pretty experimental; he would kind of push us to do weird things. It was really fun, a great experience.
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I wrote 'The Room', 'The Birthday Party', and 'The Dumb Waiter' in 1957, I was acting all the time in a repertory company, doing all kinds of jobs, traveling to Bournemouth and Torquay and Birmingham.
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I had some big ups and downs when I was in my 20s and the one thing I learned was, no matter how low it gets, something good will come along - something always comes out of that dark period.
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When you're guest-starring on another show, it really requires you to jump through hoops in a way, because you're servicing the stories of the main characters. You have to be able to portray a lot of different elements. You show up and get on board and get on their journey; you have to be flexible as to what they need for the role.
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I don't wake up each morning saying, 'Oh, wow, it's me. I think I'm the cat's meow. I'm the best.'
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Forget the haters, just get ya money, just get ya weight up.
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I've always had an affinity for the fashion industry - I've always been drawn to it. But I grew up in Calgary in Canada, which, being a fairly isolated city, is not particularly known for having anything to do with fashion.
