Tamara Tunie Quotes
Show business is fickle, and though I have been blessed with a healthy career, who knows how long that will last?
Quotes to Explore
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I'm, I guess you could say, the Chinese-speaking, banjo-picking girl.
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I was making comebacks every single year. That makes it difficult mentally. It causes a lot of stress.
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I learned that despite having years and years of experience in math and computer science and so on, I didn't really know how to code until I formed a company.
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I used to be obsessed with race. I'm more obsessed with class now.
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I am as bad as the worst, but, thank God, I am as good as the best.
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I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.
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My MELD score was pretty high. And the worse you get on that scale, the sooner you get a transplant. It's based on how sick you are. And believe me, I was pretty sick.
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Artists want to be congratulated because they should be.
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The health industry, the fitness industry, was really starting to pick up. This was around the mid 80's.
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I'm sure my father had more to do with my career than I would like to give him credit for. I would love to think it was all me!
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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We do not think clearly about our moral obligations to animals.
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In 1991, few North Koreans had ever used a telephone. You had to go to a post office to make a phone call.
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I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
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Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
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Like most struggling writers trying to get their scripts commissioned, I had to do something odd to pay the rent. So, aged 21, I started up my own small cheesecake company in Philadelphia.
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It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have.
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I kind of just stumbled into producing. It was more that I was a writer, and the only way you were going to get your songs done was to do them yourself.
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Noise does not disturb me, as I think that it gives a quaint atmosphere to a picture that fully matches my vision of nature and the wild species I like to photograph.
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I hope that China will continue with space exploration. It would be logical to have international co-operation. I hope that it will come about and that I can be involved in it.
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It took me 40 years to write my first book. When I was a child, I was encouraged to go to school. I was not encouraged to follow the career of a writer because my parents thought that I was going to starve to death.
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The 'Remnants' EP was the first time I got to really explore myself as a producer, and I got the insane idea of doing it on my own in my future career.
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Show business is fickle, and though I have been blessed with a healthy career, who knows how long that will last?
