Pablo Picasso Quotes
Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908

Quotes to Explore
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I think a strong dollar is the result of policies, but I don't think the strong dollar is in and of itself a policy.
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The work that is truly productive is the domain of a steadily smaller and more elite fraction of humanity.
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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We must plan for freedom, and not only for security, if for no other reason than that only freedom can make security secure.
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Of all Iraq's rocket scientists, none drew warier scrutiny abroad than Modher Sadeq-Saba Tamimi.
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I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
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Remember happiness doesn't depend upon who you are or what you have; it depends solely on what you think.
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The qubit acts as a bridge between the microscopic and the macroscopic worlds.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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You can take the boy out of Bombay; you can't take Bombay out of the boy, you know.
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There are 309 million people out there that are trying to improve their lot in life. And we've got a system that allows them to do it.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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My parents immigrated from Italy and spent 40 days and 40 stinking nights on a boat so we didn't have to eat things like gizzards.
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The most important thing for me is to walk the little alleys of the city, to find the little alcove where someone is cooking something, and just watch them do it. That's my idea of fun.
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Planning a dinner party in a way that you're actually capable of getting it done without panicking is important. It's bad hospitality for the host to be freaked out.
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We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.
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I would really love to collaborate with Gwen Stefani and M.I.A.; artists that kind of make sense with me vocally. And in terms of style, I'm a very visual artist. I really love Pharell. I love people that really care about drums, and I like beat-heavy.
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From compassion springs humility. The ego is verily a gateway to hell. The person who is egoistic is far from being religious.
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Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?
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The biblical texts that we Christians have used for centuries to justify our hostility toward the Jews need to be banished forever from the sacred writings of the Christian church.
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I don't know where I got the idea for 'The Great Thumbprint Drawing Book'; I just told my brain to think of a book, and it did.
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Everything you tell me in your last letter, which is to say that to spend more time with me they will give up going to Paris, fills me with the greatest pleasure.. .I find myself much better, and I hope to be back where I was before.. .I am happy to be better to receive my most beloved travelers. This improvement I owe to Molina.
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I don't often watch something I've done on TV. Usually, I'll change the channel and watch something else.
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Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908