Florence Pugh Quotes
I hope to create characters that people want to watch - and they either want to be or are, or it's something that they recognize.
Quotes to Explore
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But in action, one defies one's character.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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I'm happiest when I can just be a director and watch.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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My pleasure was to copy, not to create.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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If I'm going to do something, I'm going to do it well. That's just my character, that's just the way it is with me.
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I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
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One of the hardest things is to create hope.
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We seek to create a united Democratic and non-racial society.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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Most of my films have a lot of character development and exploration, whereas in most horror movies the characters are just cardboard.
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To have defined and sure opinions, fixed and known instincts, passions and character - all that is the horror of turning our soul into a fact, materialize it and make it external.
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I would not want to be a politician... Let me tell you this: If I was campaigning, and I go against my opponent and he started attacking my character, and I leap over the table and choke him unconscious, would that help my campaign?
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You aren't normal if you sing to people. You aren't a normal person. It's nerve-racking.
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I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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I did 'Little Dorrit' a few years ago; I really love doing period dramas. It's stuff like that I really enjoy watching.
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So if you look back over the long history of China, they've never tried to take over the world, but they've been quite aggressive in their own neighborhood... in carrying out their own purposes and interests in their sphere of the world.
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I hope to create characters that people want to watch - and they either want to be or are, or it's something that they recognize.
