Florence Pugh Quotes
I hope to create characters that people want to watch - and they either want to be or are, or it's something that they recognize.
Quotes to Explore
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But in action, one defies one's character.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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I'm happiest when I can just be a director and watch.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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My pleasure was to copy, not to create.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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If I'm going to do something, I'm going to do it well. That's just my character, that's just the way it is with me.
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I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
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One of the hardest things is to create hope.
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We seek to create a united Democratic and non-racial society.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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Most of my films have a lot of character development and exploration, whereas in most horror movies the characters are just cardboard.
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To have defined and sure opinions, fixed and known instincts, passions and character - all that is the horror of turning our soul into a fact, materialize it and make it external.
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I would not want to be a politician... Let me tell you this: If I was campaigning, and I go against my opponent and he started attacking my character, and I leap over the table and choke him unconscious, would that help my campaign?
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Rather than turning away from the staggering scale and depth of misery caused by war, we must strive to develop our capacity to empathize and feel the sufferings of others.
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If we do want to bring a woman in to direct a 'Star Wars'... we don't want to talk somebody into it.
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One must learn to be grateful for one's own findings.
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I hope to create characters that people want to watch - and they either want to be or are, or it's something that they recognize.
