Matt Goss (Matthew Weston Goss) Quotes
My life is all about memories; what people were doing then, what they are doing now and how many people have stayed with me and have allowed me to grow as a man. I am very much a man with a very youthful spirit.
Quotes to Explore
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It's the 21st century. It's healthier for us, better for the environment and certainly kinder to be a vegetarian.
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I want do a Mandarin language movie. It'll probably be the next movie I do after the one I do next.
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I don't ever want anything to come in the way of me truthfully telling a story.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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Capitalism is about adventurers who get harmed by their mistakes, not people who harm others with their mistakes.
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A lot of people I make music with are really talented and it doesn't stop at one instrument.
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With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
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In Maryland, we have the unfortunate distinction of being the most gerrymandered state in the entire nation.
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If a man is terrified, it's up to me to dispel that terror.
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Every girl has days when she doesn't like her appearance, but it's when you feel happy in yourself that you look good.
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Any committee is only as good as the most knowledgeable, determined and vigorous person on it. There must be somebody who provides the flame.
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I'd like to be curvier.
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Let people have an education and you can't stop them.
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The competent programmer is fully aware of the limited size of his own skull. He therefore approaches his task with full humility, and avoids clever tricks like the plague.
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A thing I do with all my characters is I break them down into one of three things: mind, heart, and groin. I figure out where they come from and what they utilize most.
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I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
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I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.
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It wasn't until I was 35 or 36, when I wrote 'Danny and the Deep Blue Sea,' that I began to get some notoriety, though I only made $5,000.
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I like to stay in the rhythm of things.
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I think when I first straightened my hair, I was a teenager. I don't believe that I was consciously doing it to look white or to be on television. It never crossed my mind. All of the girls in my neighborhood got perms and their hair straightened. But I know that historically it was to assimilate and there are some people who do it for that reason.
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I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.
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I disgust wearing clothing. I don't have any qualms about being naked on screen. I know it's being shot by a wonderful cinematographer, so why would I fret? If it was for Playboy, I'd be worried.
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My life is all about memories; what people were doing then, what they are doing now and how many people have stayed with me and have allowed me to grow as a man. I am very much a man with a very youthful spirit.
