Lando Norris Quotes
I had to drive with a roof in LMP2, and I managed to get used to that quite quickly - although it's still not a Halo, it's still different to what I'm used to.
Quotes to Explore
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I have gotten more flak for being a conservative Republican than I have for being trans.
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For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst and provide for it.
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I'll have the chance to do a production number on A Capitol Fourth.
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My hair and my accent are sort of my main assets.
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If wanted to play a sport, I played a sport. If I wanted to do things that many girls born in 1950 didn't do, I did it.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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I could hum Beatles songs before I could talk - not very well, but sort of.
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However, we still have the problem of free travel and movement, since the Travel Documents issued by UNMIK as the substitute to passports, are not fully recognized yet by all countries.
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Often with television, particularly with lifestyle entertainment, they really try and box you in.
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All beautiful things in this world are because of women.
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When our backs are on the wall, that's the time when we enjoy having fun, relax out there, do our thing, don't get the pressure on, see the results, day by day, game by game.
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While we are examining into everything we sometimes find truth where we least expected it.
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I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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A free, analytical and questioning press must be helped survive.
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In journalism school, what they want you to be is a camera. A trained, objective, detached professional. Accurate, polished, and observant. They want you to believe that the new and you are always two separate things. Killers and reporters are mutually exclusive. Whatever the story, this isn't about you.
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We made a deal that was acceptable to us. We got paid very handsomely for our final season.
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We're taught as a society what is acceptable for women to look like and what's not. And where fat should be and shouldn't. And I think it's important to sometimes reprogram ourselves and recondition ourselves to not have so much negativity toward our own bodies.
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I can smell bacon sizzling or chicken roasting and appreciate the aroma, but I don't want to eat it.
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I think things that are really, really not good are easy to see. But films that are decent can either be made good or great based on the execution. At the end of the day, it's always a crapshoot about the execution, the level of taste, in any department.
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You have to be a cop-out or a wash-out or a dropout to come to our college. You have to work with your hands. You have to have a dignity of labor. You have to show that you have a skill that you can offer to the community and provide a service to the community. So we started the Barefoot College, and we redefined professionalism.
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The reason that some motion-capture films don't work is if the scripts are not good, and the characters aren't engaging, then you don't believe in the journey, and you're not connected to it. It's not the technology's fault.
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I thought it was cool how [ Riccardo Tisci] wanted to blend Africa and Asia because they relate to each other in so many different ways.
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I had to drive with a roof in LMP2, and I managed to get used to that quite quickly - although it's still not a Halo, it's still different to what I'm used to.
