Ta-Nehisi Coates Quotes
My father was haunted. He was bad at conjuring small talk, he watched very little TV, because once Conscious, every commercial, every program must be strip-mined for its deeper meaning, until it lays bare its role in this sinister American plot.
Quotes to Explore
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A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
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I like the challenge of growing small companies into big global companies.
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A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.
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I'm probably the only relief pitcher who has more saves than strikeouts.
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When I have a bad day, I dream about opening up a gelato stand on the streets of Sydney, Australia. Doesn't everyone have a random escape fantasy?
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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The American fans would love to see me fight anybody.
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My father is an amazing person. While he was a huge star, he never carried his stardom home and always remained simple and just our father at home. I have four siblings, and we were all very grounded. We lived a very simple life: would go in an auto rickshaw to school, played with normal boys.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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When I'm singing, it's a mixture of my innocence in the projects, my mom and dad. It's all the good and the bad, the laughs and the frowns that I went through and seen other people go through. Then you be trying to write it. Whatever's coming out, you try and make it all cool.
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My name can raise money on a small-budget film.
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Most people don't have that willingness to break bad habits. They have a lot of excuses and they talk like victims.
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You learn a whole lot more about a person if they have bad breaks and all those kind of things.
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My father's drinking was sometimes a problem. And a great deal went unspoken. He was not particularly acute or articulate about the emotions. But he was very affectionate towards me.
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I was 17 when I left the small Maine town where I'd grown up. I wanted to do something I thought was important with my life, so I headed to California and didn't look back.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I think if you're fame-hungry, go out to a nightclub and get drunk... why do that? I don't understand how some people would want fame so bad that they'd go out and get negative attention to earn it.
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In American culture we are supposed to take a pill when we're depressed or in grief as opposed to actually feeling.
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My worst ever car was a green Datsun B210, back when they called it 'Datsun' - now it's 'Nissan.' Very unsexy, unattractive. Girls hated the car. I was embarrassed to even be in it... but it was my transportation.
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But most scripts are terrible. Most projects are bad, that's just kind of the way it is. And I'm not really attracted to those.
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I love talking to my friends at uni and seeing what they are doing. They're just finishing their dissertations, and I kind of wish I could live their life for a second. I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
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We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.
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We hate our squalor.
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My father was haunted. He was bad at conjuring small talk, he watched very little TV, because once Conscious, every commercial, every program must be strip-mined for its deeper meaning, until it lays bare its role in this sinister American plot.
