Ta-Nehisi Coates Quotes
Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.
Quotes to Explore
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In vast parts of the world, people don't eat meat.
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Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
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We need to consider nominations as thoroughly and carefully as the American people deserve. No one is entitled to a free pass to a lifetime appointment to the Supreme Court.
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I like to play poker. I have a nice poker group that's been going on for years.
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In bookstores, my stuff is usually filed in the out-of-the-way, additional interest sections.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I was riding my mountain bike in Colorado, and I met a dog who reminded me so much of my very first dog, in the way she interacted with me, looked at me, and wagged her tail, that I rode away convinced I'd just very possibly met the reincarnated version of my long lost friend.
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There is more to life than increasing its speed.
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My parents could not be more Italian.
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People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.
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Truth is the property of no individual but is the treasure of all men.
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The poet exposes himself to the risk. All that has been said about poetry, all that he has learned about poetry, is only a partial assurance.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I was born by myself but carry the spirit and blood of my father, mother and my ancestors. So I am really never alone. My identity is through that line.
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I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.
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I spent years commuting into London when I was working as a temp, and I hated the monotony of it.
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One of the ways the North Korea regime has kept power is by keeping its people ignorant of the living standards in the outside world. That's the underlying lie that supports the regime - not that their country is 'normal' but that they are better off.
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I didn't act in school. I didn't study acting, either. I learned everything when I got to New York.
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I wouldn't mind being a talent show judge if it didn't run for too long.
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None of my characters have really had jobs.
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Little more black, little more blue. And we'll just put that in using little crisscross strokes or--or little X's, whatever you want to call them. Whatever.
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We don't have a full black community in Boston. Our people are scattered. There's a middle class where I live in Highland Park but it's not like a piece of Washington or Chicago.
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Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.
