Ta-Nehisi Coates Quotes
To prevent enabling oppression, we demand that black people be twice as good. To prevent verifying stereotypes, we pledge to never eat a slice a watermelon in front of white people.
Quotes to Explore
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Women can't be afraid to look like action heroes. It's not always pretty, but when it's on the screen, it translates well to the audience.
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I don't think nostalgia has to be negative.
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I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
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Karaoke is something that's near and dear and very close to my heart. I was a karaoke host when I was working my way through university. I was a full-time student and karaoke was my night job.
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Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
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If life must not be taken too seriously, then so neither must death.
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I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Me and my dad are kind of distant since my mom and him separated.
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Way back when I was a junior pastry chef, I'd bake loads of muffins every morning, as many as 120 or so, while operating on autopilot.
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I try to basically keep my opinions to myself when it comes to people who are charged with crimes that I don't know anything about.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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No Hindu community, however low, will touch cow's flesh. On the other hand, there is no community which is really an Untouchable community which has not something to do with the dead cow. Some eat her flesh, some remove the skin, some manufacture articles out of her skin and bones.
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I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I placed over a thousand deaf people in jobs throughout my career working for the deaf.
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This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
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Played tennis for years. But you can't improve at tennis after you're 50. You get to be in your 40s, and suddenly you're a doubles player.
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Most people don't grow up. It's too damn difficult. What happens is most people get older. That's the truth of it. They honor their credit cards, they find parking spaces, they marry, they have the nerve to have children, but they don't grow up.
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Music was your real passion, this thing you held dear even above family. It was this relationship that never betrayed you. Once it became your job - this thing that was highly visible, this thing that became about commerce - that's when you were holding onto music like it was a palm tree in a hurricane.
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The people who live in a golden age usually go around complaining how yellow everything looks.
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People who have expertise just love to share it. That's human nature.
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You get good at being by yourself and you're condemned to a life sentence of solitude. You think, "Wait a minute! I should have been a tap dancer or something". But in my life, I feel like I take my stories to people orally.
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To prevent enabling oppression, we demand that black people be twice as good. To prevent verifying stereotypes, we pledge to never eat a slice a watermelon in front of white people.
