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It meant something to see people who looked like me in comic books. It was this beautiful place that I felt pop culture should look like.
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I haven't checked, but I highly suspect that chickens evolved from an egg-laying ancestor, which would mean that there were, in fact, eggs before there were chickens. Genius.
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If Obama's enormous symbolic power draws primarily from being the country's first black president, it also draws from his membership in hip-hop's foundational generation.
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When I see the Confederate flag, I see the attempt to raise an empire in slavery. It really, really is that simple. I don't understand how anybody with any sort of education on the Civil War can see anything else.
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'White America' is a syndicate arrayed to protect its exclusive power to dominate and control our bodies.
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Mr. Clyde Ross at that time, like most African Americans around the country, was unable to secure a loan, due to policies around redlining and deciding, you know, who deserved the loans and who doesn’t. There was a broad, broad consensus that African Americans, for no other reason besides blanket racism, could not be responsible homeowners.
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When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse.
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My job is to look out on that world that I write about and be as honest as I possibly can about that world. If that's optimistic and uplifting, OK. If it's not, OK.
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The plunder of black communities is not a bump along the road, but it is, in fact, the road itself that you can't have in America without enslavement, without Jim Crow, terrorism, everything that came after that.
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The two endorsements I'm most proud of come from Isabel Wilkerson and Toni Morrison. The latter is the greatest American fiction writer of our time, and the former is on her way to being the greatest American nonfiction writer of our time.
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I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.
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I don't completely understand why people in Aspen want to hear what I have to say.
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My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that was exactly what was happening all around us.
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The thing people have to remember is there's nothing natural about racism as it exists in America. I mean, we know this historically. We can look at 1619, when Africans first came here, and how early African slaves intermixed pretty indiscriminately with indentured white servants.
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In the 1930s and the 1940s, we set up the FHA. We set up the Home Owners' Loan Corporation. We set up specific bureaus to make our communities look the way they look.
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The country in which reparations actually happen is a very different one than the one we live in.
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From last century's 'The Birth of a Nation' to this century's 'Gods and Generals,' Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War and, thus, modern America's very origins.
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You actually can’t understand American history without understanding slavery.
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Chaos is what we have. That is what I believe.
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James Baldwin is probably the biggest influence on me from a literary perspective.
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My chief identity, to my mind, was not 'writer' but 'college dropout.'
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There are plenty of African-Americans in this country - and I would say this goes right up to the White House - who are not by any means poor, but are very much afflicted by white supremacy.
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I try to write in a way that makes people feel things.
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Black people are pledging their fealty to the state, and yet they aren't getting the same return. This is theft. It's systemized.