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Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.
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If Obama's enormous symbolic power draws primarily from being the country's first black president, it also draws from his membership in hip-hop's foundational generation.
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When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse.
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I haven't checked, but I highly suspect that chickens evolved from an egg-laying ancestor, which would mean that there were, in fact, eggs before there were chickens. Genius.
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When I see the Confederate flag, I see the attempt to raise an empire in slavery. It really, really is that simple. I don't understand how anybody with any sort of education on the Civil War can see anything else.
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I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.
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The plunder of black communities is not a bump along the road, but it is, in fact, the road itself that you can't have in America without enslavement, without Jim Crow, terrorism, everything that came after that.
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Mr. Clyde Ross at that time, like most African Americans around the country, was unable to secure a loan, due to policies around redlining and deciding, you know, who deserved the loans and who doesn’t. There was a broad, broad consensus that African Americans, for no other reason besides blanket racism, could not be responsible homeowners.
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The two endorsements I'm most proud of come from Isabel Wilkerson and Toni Morrison. The latter is the greatest American fiction writer of our time, and the former is on her way to being the greatest American nonfiction writer of our time.
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From last century's 'The Birth of a Nation' to this century's 'Gods and Generals,' Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War and, thus, modern America's very origins.
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The country in which reparations actually happen is a very different one than the one we live in.
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My job is to look out on that world that I write about and be as honest as I possibly can about that world. If that's optimistic and uplifting, OK. If it's not, OK.
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You actually can’t understand American history without understanding slavery.
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'White America' is a syndicate arrayed to protect its exclusive power to dominate and control our bodies.
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My chief identity, to my mind, was not 'writer' but 'college dropout.'
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My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that was exactly what was happening all around us.
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In the 1930s and the 1940s, we set up the FHA. We set up the Home Owners' Loan Corporation. We set up specific bureaus to make our communities look the way they look.
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Chaos is what we have. That is what I believe.
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There are plenty of African-Americans in this country - and I would say this goes right up to the White House - who are not by any means poor, but are very much afflicted by white supremacy.
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The thing people have to remember is there's nothing natural about racism as it exists in America. I mean, we know this historically. We can look at 1619, when Africans first came here, and how early African slaves intermixed pretty indiscriminately with indentured white servants.
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Black people are pledging their fealty to the state, and yet they aren't getting the same return. This is theft. It's systemized.
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Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
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I don't completely understand why people in Aspen want to hear what I have to say.
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With George Bush's policies, I could make an argument for how they affect black people in a negative way. You know what I mean? But I wouldn't argue that he's a white supremacist.