Zora Neale Hurston Quotes
Quotes to Explore
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There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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As we take our places in the General Assembly and at the Council meetings, let us begin all our work in the name of God, for the solution of all our problems is a spiritual one.
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I have reaffirmed my political will to work towards national unity.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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We must not show to all and sundry the secrets of the waters flowing in ocean and river, or the devices that work on these waters. Let there be convened a council of experts and masters in mechanical art to deliberate what is needed to compose and construct these works.
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When I first started, I worked with my father, Alex 'Little Bill' Wallace; he was a guitarist like B.B. King. I was around 13 when I started, and I learned a lot by looking and listening. I learned how to be a bandleader from watching that band work.
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I like to work hard and complete my films one after the other.
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One is not idle because one is absorbed. There is both visible and invisible labor. To contemplate is to toil, to think is to do. The crossed arms work, the clasped hands act. The eyes upturned to Heaven are an act of creation.
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I've never seen hard work fail.
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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The artists of the past who impressed me were the ones who really focused their work.
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I walked along impressionist paintings in the Paris' museums, 1907 like a roe-deer in an enchanted forest, for which it has always yearned.
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I have not been in a book club where there were any men, and I have not, in fact, heard of book groups that were mixed.
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Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!
