Uzo Aduba Quotes
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I love physicality. I love movement very much.
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I think there's something really thrilling to having to get people laughing about something, and then, when you have them in that comfort space, you can drop the weight into the texture of the story.
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I've heard of nothing coming from nothing, but I've never heard of absolutely nothing coming from hard work.
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I am the daughter of Nigerian immigrants. My mother is a survivor of both polio and of the Igbo genocide during her country's civil war in the late 1960s.
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I try to play serious scenes a little funny and the comedy a little serious.
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I love ensemble work. I love making pieces and building things together.
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I dream in color, and I have visions of feelings and energies that I would love to feel.
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The first information I consume in the morning is probably 'The New York Times' and then my Twitter feed. I think Twitter is a really fascinating, easy way to stay on top of what stories are out there.
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My family is more a sports family, and I figure skated for a very long time, so movement and how I relate to movement is very integral to my process.
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I left my home in Massachusetts after college to move to New York City to pursue my dreams of acting. I took roles for free. I waited tables. I didn't care because it was work.
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I like to build a character, trying to stretch my imagination as far to the walls of my brain as I can to come up with something that feels truthful and feels real - as close to the skin as I can get it.
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I ran track in high school very competitively, and then ran it D-1 at Boston University. I ran there on an athletic scholarship and chose BU because they had both a good track program and an arts program.
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If you're already somebody who's feeling different, you'll do everything in your power to fix it because children will do everything in their power to fit in and assimilate.
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I'm realizing, you don't need to change anything about yourself. This is who you are, and it's okay. That's daring.
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I think of myself as a little kid, and I had a wild imagination, but it was something that was encouraged and supported, which helped steer me into the arts.
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I loved 'Ghana Must Go' by Taiye Selasi. It's about a first-generation African family living in America that has to return home to Nigeria when their estranged father passes away.
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My family is first-generation Nigerian, and we grew up in a very small, suburban town in New England, Massachusetts. So I do understand what it feels like to be an 'only' in that regard.
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My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
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I grew up in a very small town in Massachusetts, and it goes without saying that there weren't many Nigerian families in that town, and a lot of people couldn't say Uzoamaka.
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I was pursuing the arts with theater in school, and I was doing after-school activities, but not in any real movement towards a professional career.