P. G. Wodehouse Quotes
Never put anything on paper, my boy, and never trust a man with a small black moustache.
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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I definitely had to do some soul searching, and there would be a lot of times where I would sit back and look at the Internet and say to myself, 'This is a way of being able to communicate with all my fans all over the world, other than just being in New York and only hearing the New York side of things.'
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.
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There is more to life than increasing its speed.
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A lot of people can't remember things because they weren't actually there to begin with - they don't take it all in.
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We're trying to have the band create something beautiful that hopefully one day, 20 years from now, can be picked up by a kid and hopefully have the same effect that Neil Young had on me, or Led Zeppelin or Black Sabbath.
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The way you wield your power is about using it to afford you opportunities that you wouldn't otherwise have. So I'm very creatively ambitious, and I just hope people notice it; that's all I want.
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We are very serious about imposing weapons restrictions on the PFLP and other Palestinian groups operating from their camps in Lebanon.
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My whole thing is being sexy without showing too much, because that's my comfort level.
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As much as possible, I try to encourage people to use stunt men because that is really their job.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
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Writing a novel is like knocking on a door that will never open. You are so desperate to get in, you will say or do anything. You feel: please take my novel.
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'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
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One thing my family has shown me is that having a sense of humor is everything.
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I cherish the ballets made for myself by Mr. Balanchine. He never lost his temper. He was quiet, humble, the genius of the 20th century.
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New York felt to me like what America should be - a representation of the world in this small pocket.
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In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.
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I don't know if I trust entertainment to teach anyone anything.
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I don't believe that poetry is in danger because nobody wants to read it or appreciate it. There is a tremendous audience for it on any given day or night. You just have to know where to look.
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Never put anything on paper, my boy, and never trust a man with a small black moustache.
