P. G. Wodehouse Quotes
Never put anything on paper, my boy, and never trust a man with a small black moustache.
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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I definitely had to do some soul searching, and there would be a lot of times where I would sit back and look at the Internet and say to myself, 'This is a way of being able to communicate with all my fans all over the world, other than just being in New York and only hearing the New York side of things.'
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.
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There is more to life than increasing its speed.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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A lot of people can't remember things because they weren't actually there to begin with - they don't take it all in.
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We're trying to have the band create something beautiful that hopefully one day, 20 years from now, can be picked up by a kid and hopefully have the same effect that Neil Young had on me, or Led Zeppelin or Black Sabbath.
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The way you wield your power is about using it to afford you opportunities that you wouldn't otherwise have. So I'm very creatively ambitious, and I just hope people notice it; that's all I want.
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We are very serious about imposing weapons restrictions on the PFLP and other Palestinian groups operating from their camps in Lebanon.
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My whole thing is being sexy without showing too much, because that's my comfort level.
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As much as possible, I try to encourage people to use stunt men because that is really their job.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
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Writing a novel is like knocking on a door that will never open. You are so desperate to get in, you will say or do anything. You feel: please take my novel.
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I just want get to as high as I can go. I think that's the safest and most politically correct thing I can say. I'm not trying to take anyone's spot. I want to create my own lane and shoot to the sky.
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'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
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Ignorance gives one a large range of probabilities.
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The lack of trust in supranational entities and cosmopolitan elite creates a fertile ground for tribalist belongings and reactionary politics.
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The material of typography is the black, and it is the designer’s task with the help of this black to capture space, to create harmonious whites inside the letters as well as between them.
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We take our endorsements seriously.
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Never put anything on paper, my boy, and never trust a man with a small black moustache.
