Zsa Zsa Gabor Quotes
Quotes to Explore
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Frank's audience doesn't care if a girl singer, a comic or an organ grinder with a monkey opens the show. They are there to see HIM.
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I know how to treat my voice to make it sound as good as it possibly can - which is still not that good.
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Writing is only the frosting on my cake. I'm whole without it.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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I think your most intimate thoughts are only honest when they're in your head.
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The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean?
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I drove across country in my yellow 1970 VW bug (which I drove until 1986) to Los Angeles, having had enough cold weather in 5 years in Ann Arbor, and found a job within a few days.
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If you are good at studies, and you want to play cricket, you may work harder than any other person, but you may not achieve it. So it's something you have to balance in life and be practical where you are good and then channelise your efforts in the right direction to be successful in life.
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What makes you a Christian is whether or not you really are in accord with biblical theology and whether you know Jesus Christ as your Saviour.
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The best way to help the Latino community is to give back. I love giving back; I'm quiet about God and what I do, but we do a lot in the Dominican Republic.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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As human beings, our greatness lies not so much in being able to remake the world - that is the myth of the atomic age - as in being able to remake ourselves.
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With any character I have played, there's infinite possibilities for how they might behave, depending on who they are talking to or how they react to things.
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The spiritual reality of the Indian world is very evident, very highly developed. I think it affects the life of every Indian person in one way or another.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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It is not my duty to spend my money in my country, but it is what I want to do. There is nowhere else I would like to invest.
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I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
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When my daughter wanted a toy and I had to check the price of it before buying it - that was one of the worst feelings.
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What you wear onstage is a reflection of your artistry.
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
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In big science, the role of the individual scientist must be carefully preserved. So is the one of original ideas and of contributions.
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Psychoanalysts have been occupied for a long time with the difficult question of what the psychological conditions are which determine the form of the neurotic disease to which the individual will succumb. It is as though he had a choice between different illnesses and led by unknown impulses selected one or other of them.
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Sometimes I get a little confused because with dancing I can express my emotions with my body. With acting you have to do it with your face and your expressions, and then with animated shows you have to use your voice and use your inflections. So it's definitely a challenge to transfer from each genre of entertainment.
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I am a marvelous housekeeper. Every time I leave a man I keep his house.
