Bam Margera Quotes
Quotes to Explore
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I don't have to worry about the obvious things like money.
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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I haven't got a waist. I've just got a sort of place, a bit like an unmarked level crossing.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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I really like performing for people.
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I like risky stuff.
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I did successfully kick tobacco at the age of 34. I smoked for like 20 years, from 14 to 34.
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Growing up, there were no families on TV that looked like mine.
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If bigots behave like bigots, it's not a huge surprise.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
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Evil is like water, it abounds, is cheap, soon fouls, but runs itself clear of taint.
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Songwriter friends will be like, 'Oh my God, when are you going to put out 'Love Triangle?'' It's just been that song for me that really helped me get a lot of writing sessions and helped jump-start my writing career.
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At some point, you decide to take something you really like and turn it into a business you love.
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I don't worry too much about the script, I just ad lib, like Pearl Bailey.
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Perfecting oneself is as much unlearning as it is learning.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I really like collections of things. I love antique botanical prints with a bunch of different weeds and seeds.
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To me the interesting main character is never the one without flaws.
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Well I certainly have learned and I hope I'm moving on and certainly two years of prison was a terrible punishment.
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Good governance, safety, a chance to grow economically and professionally - those are important things.
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The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
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I don't like Paris so much.
