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Signs are taken for wonders. 'We would see a sign!'The word within a word, unable to speak a word,Swaddled with darkness.
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O Lord, deliver me from the man of excellent intention and impure heart: for the heart is deceitful above all things, and desperately wicked.
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Where is all the knowledge we lost with information?
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And I have known the eyes already, known them all - The eyes that fix you in a formulated phrase,And when I am formulated, sprawling on a pin,When I am pinned and wriggling on the wall,Then how should I beginTo spit out all the butt-ends of my days and ways?
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Anxiety is the hand maiden of creativity.
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Weave the wind. I have no ghosts,An old man in a draughty houseUnder a windy knob.
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The communication of the dead is tongued with fire beyond the language of the living.
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Any poet, if he is to survive beyond his 25th year, must alter; he must seek new literary influences; he will have different emotions to express.
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The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
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History may be servitude. History may be freedom. See, now they vanish. The faces and places, with the self which, as it could, loved them, to become renewed, transfigured, in another pattern.
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Those who have crossedWith direct eyes, to death's other KingdomRemember us - if at all - not as lostViolent souls, but onlyAs the hollow menThe stuffed men.
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If you desire to drain to the dregs the fullest cup of scorn and hatred that a fellow human being can pour out for you, let a young mother hear you call dear baby 'it.'
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Old Deuteronomy's lived a long time; He's a Cat who has lived many lives in succession. He was famous in proverb and famous in rhyme A long while before Queen Victoria's accession.
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The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.
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It will do you no harm to find yourself ridiculous. Resign yourself to be the fool you are... ...We must always take risks. That is our destiny.
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We do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value - a test, it is true, which can only be slowly and cautiously applied, for we are none of us infallible judges of conformity.
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My greatest trouble is getting the curtain up and down.
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Where there is no temple there shall be no homes.
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Immature poets imitate; mature poets steal.
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To approach the stranger is to invite the unexpected, release a new force, let the genie out of the bottle. It is to start a new train of events that is beyond your control.
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We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.
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There came one who spoke of the shame of Jerusalem And the holy places defiled; Peter the Hermit, scourging with words. And among his hearers were a few good men, Many who were evil, And most who were neither, Like all men in all places.
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Because I do not hope to turn again Because I do not hope Because I do not hope to turn Desiring this man's gift and that man's scope I no longer strive to strive towards such things (Why should the agèd eagle stretch its wings?) Why should I mourn The vanished power of the usual reign?
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Poetry should help, not only to refine the language of the time, but to prevent it from changing too rapidly.