Patrick Rothfuss Quotes
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When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.
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I’m just very careful with my words when I write. Obsessively careful. I’m the sort of person who worries about the difference between 'slim' and 'slender.'
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My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.
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The truth was, I needed to impress them. I knew from my previous discussions with Ben that you needed money or brains to get into the University. The more of one you had, the less of the other you needed.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
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I'm obsessive. That's the word for me. I obsess – perhaps to the point where it's moderately dysfunctional. I tend to put a book through about 100 revisions. If anything, that's an understatement. If there's another author out there who does this sort of revision, I would really like to meet him. Maybe we could form some sort of support group.
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I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.
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On his first hand he wore rings of stone,Iron, Amber, Wood and Bone.There were rings unseen on his second hand,One was blood in a flowing band,One was air all whisper thin,And the ring of ice had a flaw within.Full faintly shone the ring of flame,And the final ring was without name.
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The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
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Nobles’ sons are one of nature’s great destructive forces, like floods or tornadoes. When you’re struck with one of these catastrophes, the only thing an average man can do is grit his teeth and try to minimize the damage.
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A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
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As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
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One thing I've learned now is that I should not say when a book is coming out until I'm sure I know.
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It's profoundly disorienting to go from zero to celebrity.
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You've got a great chance in college to do all sorts of terrible irresponsible things, and you should totally do them. I mean, make huge mistakes. This is the time in your life if you screw up, it's okay because you can bounce back from it.
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After I'd been in college for a couple years I'd read Shakespeare and Frost and Chaucer and the poets of the Harlem Renaissance. I'd come to appreciate how gorgeous the English language could be. But most fantasy novels didn't seem to make the effort.
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Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.
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I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.
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Plainly said, he was giving me enough rope to hang myself with. Apparently he didn’t realize that once a noose is tied, it will fit one neck as easily as another.
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When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.
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It was one of those perfect autumn days so common in stories and so rare in the real world.