Taylor Sheridan Quotes
The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
Quotes to Explore
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I don't want to come off like the jealous brother who wasn't getting the attention, but it was like no one was really into me anyway. I wasn't really a priority.
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Nothing is unfilmable.
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Music was a big outlet for me. Being able to play an instrument and sing was definitely a good way for me to escape things I was dealing with: family issues, growing up, being a kid and not knowing what I wanted to do with my life.
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After six years without seeing one, I love just seeing a smile - every smile I see gives me hope.
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I just throw it out and see what happens. If it sounds and feels right, then I continue.
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Being grown up and in a serious relationship, I've learned so much. I'm happier than I've every been.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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I like to be underdressed rather than overdressed. For an event or a premiere, it's fun to dress up more - then I like to experiment.
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I'll have the chance to do a production number on A Capitol Fourth.
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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
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It gets pretty boring when all you are is the support system for a male character.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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When I was a kid, I was super shy.
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My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
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I think that music and visual arts can complement themselves nicely. They do different things - the music forces you into a different mood and perspective whilst the visual stuff can engage you in a more direct cognitive manner.
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The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
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I understand what it is to go through emotional trauma and retreat and go into the world of your imagination. I understand how art and music can be a place of safety in a world of reinvention.
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I do my best work if I think about what it is I have to offer.
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I know a lot of people struggle with the idea of Jesus and their idea of God. I think, if you don't even know what you're praying to or who you're praying to, based on what I know to be true, regardless, God's always listening.
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Drew Friedman isn't just a brilliant artist. He takes you to a place. He takes you back in time. He makes you smell the stale cigarettes and cold brisket and you say, thank you for the pleasure.
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Any time you challenge a big powerful person or special interest, there's going to be blowback.
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The typical output deal from a studio is 10 to 14 movies a year.
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With fiction, I've grown to really love the challenge of lying, the challenge of telling a good tale that isn't truthful, and working with performers is endlessly fascinating. You know, learning what a good performance is, how to get a good performance, how much or how little you need to create emotion or to create character.
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The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
