Taylor Sheridan Quotes
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In 2005, I visited my home state of Texas, spending time on a ranch outside the town of Post. Then spending some time on a large ranch outside Archer City. I was taken by just how few young people I saw anywhere.
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The machine of awards season is very stressful. But this is the Oscars! It's your peers, your heroes, people you admire, the people who inspired you to get into this work in the first place. It's a pretty overwhelming feeling when you think about it.
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I don't know if I've ever met anyone that's purely good or purely evil myself. I think most of us live with some varying degrees between the two.
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You've been entrusted with a lot of money and a lot of careers, and a lot of people put their faith in me, and every director goes through that every time.
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While I feel it's important for films to examine our society, I don't particularly like watching the films that do it.
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Every writer has written a spec. It's the first thing you write, and it basically stands as a means of, 'Here's an example of how I tell stories.' It's almost like a business card.
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You can really examine the suffering and consequences that happen when there's a loss in a family.
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I broke a lot of conventions. Look, I spent a long time as an actor. I spent a lot of time playing pretty ordinary arcs.
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I like to describe 'Yellowstone' is 'The Great Gatsby' on the largest ranch in Montana. Then it's really a study of the changing of the West.
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I saved every script I'd ever worked on as an actor.
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Sometimes audiences want to see what we're doing to their world. It's our obligation sometimes to reflect it.
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As a filmmaker, you have to stand in front of what you did and make choices that you could do with a clear conscience.
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I think film cannot only teleport you to places you don't know, but it can help you see people you thought were one way and in fact are another. They can allow us to examine ourselves.
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I spent most of my time as an actor in television, so directors in television - it's such a machine that's already in place that I don't think you notice the direction as much on the set.
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I mean... directing is a holy, unpleasant experience, to be perfectly honest.
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You set something in modern-day Texas, which is so identifiable as the Old West, and everyone's wearing guns, so it looks like it's going to be, by default, partially considered a western.
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To me, a purely good individual or purely bad individual, that's a comic book – that's a fantasy – and I don't do fantasy.
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One of the major issues that's constantly batted around Hollywood and the media is my industry's responsibility toward the portrayal of violence. There's the irony of the films that glorify it and the individuals taking positions against it. It's a very confusing, confounding place.
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We can't assign beliefs to people who don't have a voice to express them. And we can't assume what someone thinks.
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There's not a lot of pure evil in the world, but it's amazing how little it takes to do great damage.
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Think about 'GoodFellas': It could be a textbook on how not to write a screenplay. It leans on voice-over at the beginning, then abandons it for a while, then the character just talks right into the camera at the end. That structure is so unusual that you don't have any sense of what's going to happen next.