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I had to push exposition through dialogue, which is really, really hard for an actor do.
Taylor Sheridan -
I think I was a decent actor, but it took a lot of work for me to make a choice on how to read a line.
Taylor Sheridan
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
Taylor Sheridan -
How does one endure in a place they shouldn't be condemned to live in? You could take that same question and apply it to any number of neighborhoods in any number of cities.
Taylor Sheridan -
I finished 'Hell or High Water' and started writing 'Wind River' literally the next day.
Taylor Sheridan -
Bad people sometimes do good things, and good people do really bad things or do something the audience disagrees with.
Taylor Sheridan -
For me, the greatest thing a movie can do is rivet you while you're watching but also give you something to chew on for days and weeks after you've seen it.
Taylor Sheridan -
I was going to be the head wrangler at a ranch in Wyoming, and the reason I didn't take the job is because I couldn't have my family there - the family had to stay in town. I just wasn't willing to do that.
Taylor Sheridan
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I let characters be human and flawed and relatable.
Taylor Sheridan -
I sent 'Hell or High Water' to Peter Berg, asking if he'd like to be involved.
Taylor Sheridan -
My wife was pregnant, and I was doing the math, and I was realizing that I couldn't be living in a two-bedroom apartment in Hollywood for the rest of my days. I didn't want to raise my kid there.
Taylor Sheridan -
I had a one-year-old son. How will my failure or success limit what he becomes? I was trying to write screenplays. It doesn't pay very well until you sell one. I was poor.
Taylor Sheridan -
I look for absurdly simple plots so that I can simply focus on the characters. Having an understanding of what dialogue's easy to say and hard to say - I think that that's helpful, too.
Taylor Sheridan -
The machine of awards season is very stressful. But this is the Oscars! It's your peers, your heroes, people you admire, the people who inspired you to get into this work in the first place. It's a pretty overwhelming feeling when you think about it.
Taylor Sheridan
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I believe in the Constitution - and I believe in common sense.
Taylor Sheridan -
While I feel it's important for films to examine our society, I don't particularly like watching the films that do it.
Taylor Sheridan -
In 2005, I visited my home state of Texas, spending time on a ranch outside the town of Post. Then spending some time on a large ranch outside Archer City. I was taken by just how few young people I saw anywhere.
Taylor Sheridan -
Part of our job as storytellers is to show people pockets of the world that they don't know. The more we understand, the more we don't judge.
Taylor Sheridan -
I can recognize a good actor. I can recognize someone that can convey emotion and that has the essence and not get lost in the minutia of, 'Well, that person's got red hair, and so does the other.' Some of the decisions in casting that seem so important at the time, until you get on set and you're starting to shoot.
Taylor Sheridan -
Every writer has written a spec. It's the first thing you write, and it basically stands as a means of, 'Here's an example of how I tell stories.' It's almost like a business card.
Taylor Sheridan
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I broke a lot of conventions. Look, I spent a long time as an actor. I spent a lot of time playing pretty ordinary arcs.
Taylor Sheridan -
I spent most of my time as an actor in television, so directors in television - it's such a machine that's already in place that I don't think you notice the direction as much on the set.
Taylor Sheridan -
Some of the most fascinating scenes in 'Unforgiven,' for me, is that scene with Gene Hackman where he's talking about the Duke of Death that Richard Harris played, and he's basically demolishing this myth of this man very unwesternly – not what you expect in a western.
Taylor Sheridan -
I like to describe 'Yellowstone' is 'The Great Gatsby' on the largest ranch in Montana. Then it's really a study of the changing of the West.
Taylor Sheridan