Taissa Farmiga Quotes
It's a crazy world, stardom. I don't even think of myself as a star. I just like to go to work.

Quotes to Explore
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After my hip operation, I had to cut out butter, which I loved, and salt. I no longer eat desserts with lots of cream, and I've cut right back on alcohol.
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In general, I find that for videos the acting is more realistic.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
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Funny is an attitude.
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It's very juicy to twirl your mustache and figure out why people do the horrible things that they do. It's not just because they are evil, but because that's how they somehow explain the world to themselves and justify themselves. It's always interesting figuring out how that happens.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Stand with anybody that stands right, stand with him while he is right and part with him when he goes wrong.
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Is truth always positive? Of course. Once the truth comes out, you know, it's all right. We're scared that if the truth comes out that it's not all right. It's the other way around.
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It's true; once you are a father, there's no turning back. Your heart strings as well as your purse strings are never again the same.
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Elizabeth, Lady C, claims to be writing at the limits of language. Would it not be insulting to her if I were diligently to follow after her, explaining what she means but is not smart enough to say?
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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I like what it is to sing, or to be with the others singing, to make music, but the fuss and all the things that are the exterior part of a career, has never interested me.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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Bolivar's legacy has always been a part of the Venezuelan/Latin American imagery, especially in the countries that he liberated or he helped to liberate. He's been a very prominent figure.
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Taking part in an Olympics on home ground is something you dream about.
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Man is a beautiful machine that works very badly.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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Arab-led Islamic fundamentalism destabilizes nations from Algeria to the Philippines.
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There was a joke in Czechoslovakia: The Communist Party dance, it's one step forward, two steps backward, and everyone is still clapping.
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I first became aware of the delights of the natural world when my father, an entomologist, presented me with what looked like a twig. When it got up and walked, my delight was such that I wrote a poem, 'To a Walking Stick.'
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It's a crazy world, stardom. I don't even think of myself as a star. I just like to go to work.