Taissa Farmiga Quotes
It's a crazy world, stardom. I don't even think of myself as a star. I just like to go to work.

Quotes to Explore
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After my hip operation, I had to cut out butter, which I loved, and salt. I no longer eat desserts with lots of cream, and I've cut right back on alcohol.
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In general, I find that for videos the acting is more realistic.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
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Funny is an attitude.
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It's very juicy to twirl your mustache and figure out why people do the horrible things that they do. It's not just because they are evil, but because that's how they somehow explain the world to themselves and justify themselves. It's always interesting figuring out how that happens.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Stand with anybody that stands right, stand with him while he is right and part with him when he goes wrong.
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Is truth always positive? Of course. Once the truth comes out, you know, it's all right. We're scared that if the truth comes out that it's not all right. It's the other way around.
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It's true; once you are a father, there's no turning back. Your heart strings as well as your purse strings are never again the same.
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Elizabeth, Lady C, claims to be writing at the limits of language. Would it not be insulting to her if I were diligently to follow after her, explaining what she means but is not smart enough to say?
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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I like what it is to sing, or to be with the others singing, to make music, but the fuss and all the things that are the exterior part of a career, has never interested me.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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Bolivar's legacy has always been a part of the Venezuelan/Latin American imagery, especially in the countries that he liberated or he helped to liberate. He's been a very prominent figure.
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Taking part in an Olympics on home ground is something you dream about.
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When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.
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There are good examples of companies - Coca-Cola is one - that invested before there was a huge market in countries, and I think that ended up playing out to their benefit for decades to come.
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Social media isn't a one-way broadcast; it's a multiway opportunity for dialogue.
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We should not have a tin cup out for something as important as the arts in this country, the richest in the world. Creative artists are always begging, but always being used when it's time to show us at our best.
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It's important to work through things in a relationship. You can't just give up because you're frustrated. It's most important to talk things through together. And that, for me, has been the way I've best resolved problems in the past.
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It's a crazy world, stardom. I don't even think of myself as a star. I just like to go to work.