Tatiana Maslany Quotes
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I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
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Trust your gut. You know yourself, so don't let somebody else tell you who you are.
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I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
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Music is like a lifeblood - it changes the way I move; it changes the way I feel about myself. The way I walk into the room is different depending on the song I was just listening to.
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I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
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I'm a huge 'Futurama' fan, so that's my closest sci-fi tendency.
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I grew up in Canada, man - we all had rinks in our backyards because we'd ice down the grass with a hose and build a skating rink.
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I was a dancer from about the age of four, so I was always performing and forcing my parents to watch my brother and I do 'Jesus Christ Super Star' in the living room. My first step was community theater, and then I started to do films.
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I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.
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There's something about music that makes me feel like a different person, that feels like an escape.
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I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.
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Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
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Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again...?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.
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I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.
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Film has always been where my heart is.
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How you go about moving within the world you live in says so much about who you are.
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My mom taught me German before I knew English. And I went to French immersion school.
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You're working with adults and you're being paid to do a job. And you're a kid. Then you go back to high school, and everybody's partying, and they're doing math. I always felt a little bit outside of it. Outside of both experiences, really.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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I fell in love with 'Star Trek' after J. J. Abrams's movie. I'm so into that.
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For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.
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That's my favorite kind of television, where it's not wrapped up in a pretty little bow. It's like life. You deal with one thing in your life, 500 others rear their head.