Napoleon Hill Quotes
Quotes to Explore
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I don't care if I never see Texas again.
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But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.
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For some small number of people, a parental loss appears to be, ultimately, a desirable difficulty - again, not a large number.
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Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. 'From Here to Eternity' must have seemed like a chore to its director, Fred Zinnemann.
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Don't be afraid to fall flat on your face.
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It's a hard life... but if I could, I would do it all again.
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There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
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I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.
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Politics and ethics belong to different worlds.
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I have a necklace with a golden key, given to me by my sisters, which I always wear.
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I think it's better to attempt something and fail than it is to not even attempt it, so I'm glad that I've been prepared to put myself on the line there.
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Paris ain't much of a town.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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Be gentle to all and stern with yourself.
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The most powerful symptom of love is a tenderness which becomes at times almost insupportable.
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I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
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Albums are like diaries. You go through phases, technically and emotionally, and they reflect the state that you're in at the time.
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Doubt, it seems to me, is the central condition of a human being in the twentieth century.
