Patricia Richardson Quotes
Quotes to Explore
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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The mind moves in the direction of our currently dominant thoughts.
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It is human nature to hate the man whom you have hurt.
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I have a bronze statue of myself, naked. I have these really big curls and water comes out of every curl. It's hot.
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I think that when you decide to dedicate yourself to creative endeavors and surround yourself with people who are creative, you very quickly learn how hard it is to survive doing those kinds of things, not to mention make a living at them.
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I have a very intimate knowledge of the world of the mentally ill and of life inside of, especially, public hospitals and the way people are treated in there and the way that they try to survive in there.
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Life doesn't stop because something happens to you.
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I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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At Ozon, salaries are evaluated every year based on market benchmarks which are gender neutral.
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I asked my parents for permission to study in America and they were so sure that I wouldn't get in and get a scholarship that they encouraged me to try. So I applied to Yale and got an excellent scholarship. I then worked for the Boston Consulting Group for six and half years.
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I always wanted to act. I guess I've always been a bit of a drama queen.
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I always knew I would act. It was just a matter of time.
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By channeling my inner heiress, I created a new opportunity for young heiresses.
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The stigma that was once attached to things society deemed unhealthy served the purpose of making them undesirable. With the stigma gone, many people see little reason not to do whatever feels good at the moment.
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We tend to talk about death as if it is losing a battle, but that assumes living is winning and dying is not.
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For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
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There is no age limit on the enjoyment of sex. It keeps getting better.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
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Although it is tempting to think of these natural landscapes as reflecting a stability in climactic and geologic forces, long periods of climactic and geophysical stability actually result in a rundown of the energy available to ecosystems and people. Geologically young regions with recent mountain building and volcanism tend to be much more biologically productive and have supported large populations of people despite their vulnerability to natural disasters. Geologically old regions (like most of Australia) tend to have low biological productivity and supported fewer people.
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Although I am a Christian, I am not even close to perfect.
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I remind myself of the power of thought and how it's my obligation as a citizen (and student) of humanity to propel compassion.
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I think that talented people really do have insecurities, and that is one of the things that kind of motivates them, because that's one thing they know they're good at. And when they're up on that stage, you can do no wrong. The audience is yours; they're there to see you.
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I always hated perfect TV moms because I always thought that was unrealistic.