Patrick Stump Quotes
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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Sometimes the kids come up with better endings than the real story.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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The only thing that is real is the being in you that is going to die.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
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I've got a clear line between work and real life.
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There's something to be said in favor of working in isolation in the real world.
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Discomfort levels in our societies are rising, or so it would seem. In theory, we invoke diversity and tolerance. But in real life, we raise our hackles and withdraw into ourselves.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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I really like playing good guys, of course. Although, people make mistakes in their lives, and you could say that the mistakes make us who we are, by how we respond to them. I just don't want to play boring good guys, but I don't have that problem, anyway.
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The fact is that there is a serious problem of extremism with minority groups within Muslim communities.
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I do listen to a lot of music, but I don't listen when I'm writing.
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You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
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I've come to find out everybody loves ol' David Allan Coe, even people like Kid Rock.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
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We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
