Patrick Stump Quotes
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I write really scathing, angry stuff when I'm in a better mood, and then uplifting and happy stuff when I'm at the absolute bottom.
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I don't mind if someone thinks I'm a sell out. I go to bed happy knowing I do what I do and I'm not doing anything for reasons of money, and if I were trying to pick up chicks, I'm doing a horrible job. And if I wanted to drive awesome cars, I'm doing a really bad job there too.
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The music business is one of a few places where everything you've heard about it seems entirely cliche, but it's true.
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There's something really personal about your voice, where if people talk shit on your guitar, 'Ugh, he played out of tune,' etc., you can, in your head, blame it on something else, but when you fuck up with your singing, that's part of you ... So I guess I'm an insecure enough dude that I just went back and really studied and tried to sing better.
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We're so busy broadcasting our latest cultural disdain that we scantly notice anything we enjoy. 'Oh man, this Rebecca Black kid is terrible! Let's laugh at her!' has become more culturally relevant than, 'I really love this new Bilal record.'
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
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As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
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Quiet is the new loud.
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When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.
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I moved to L.A. and really didn't dig living there until I found places like Koreatown and Little Tokyo. I really like hanging out in the grocery stores and restaurants.
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I never really ate that bad, I just ate too much. It wasn't like I had to switch to whole wheat bread or something like that. I really just had to eat less of what I was eating, and I had to exercise more.
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I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
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I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
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Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist.
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I always thought 'Stump' was kind of like, you dropped something on your foot. It's not the most exotic rock-star name.
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Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
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I definitely love kimchi. The biggest influence that eating so much Korean food growing up had on me was that I have no limit for spiciness. The hotter the better.
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The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'
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Probably the most cold-hearted thing I ever did. There was this spider in my shower - and I'm usually very kind to all of the creatures of the world - and you feel very vulnerable when you're naked, and I didn't really want to be near this spider he was kinda big and gnarly looking. The only thing that I could reach in the shower was this hairspray. So I hairspray-ed this spider to death, which was awful. I felt like such a jerk. It was really, really harsh.
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I'm not a drummer anymore, on my gravestone, if there is one, if anyone writes anything about me besides hopefully being a dad, it would be that I sang in my band when I was in my 20s. So I was like, 'Yeah, I should probably focus on this a little more,' so I just practiced a lot. (When asked about his singing.)
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
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I think Joe's underappreciated, I think Andy's underappreciated, I think Pete's underappreciated, I don't think people know how good he is. I think Neal Avron's underappreciated, but if anything, I feel overappreciated. I think Patrick Stump gets enough attention.
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When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.