Patrick Kane Quotes
Quotes to Explore
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I don't know who took what. That is pretty private with an individual.
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I don't know how much the economy has changed since Jonathan Swift's 'A Modest Proposal.'
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I can go all over the world with Skype.
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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There's the person that's the addict, and then there's the person that's who you are.
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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I would love to see young writers come out of college and know there is a possibility to be a novelist.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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I am disillusioned enough to know that no man's opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he's talking about.
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I've never been a six-foot-tall, skinny model, so therefore, I want to create an illusion. People always think I'm taller than I am - not just because of the shoes I wear but because of the way I dress. It's all relatively streamlined.
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I throw as hard as I can when I think I have to throw as hard as I can.
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I had no training in research as such, and as a consequence, I am, in a sense, self-taught.
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Any concept of one person being superior to another can lead to racism.
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Know or listen to those who know.
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I am an independent, strong-willed, free, and unfettered individual who lets his wife decide for him what he wants to eat.
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I wish I was a wealthy person. I wish I could self-fund.
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I'm a very competitive person.
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I fancy myself as being a fairly competent person.
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... a person who is religiously enlightened appears to me to be one who has, to the best of his ability, liberated himself from the fetters of his selfish desires and is preoccupied with thoughts, feelings, and aspirations to which he clings because of their superpersonal value.
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I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.
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It is a self-deception of philosophers and moralists to imagine that they escape decadence by opposing it. That is beyond their will; and, however little they acknowledge it, one later discovers that they were among the most powerful promoters of decadence.
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Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
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I know the person I am, and I know the person I can be.
